The artist has painted her Bentinck Island homeland as a flat diamond shape surrounded by a massive tracing of stone ngurruwarr (fish walls designed to trap fish and turtles as the tides fall). These constructed walls appear in the lower right of the painting. Kuruwarriyingathi represents burrkund (cicatrice) motifs – signifying the young boy’s first body scars and women’s cutting of the body in mourning – as vibrant trajectories of colour. She also references the cockleshells Kaiadilt women gather and line up in pleasing patterns in the ashes as they cook them.