Thomas DEMAND
German 1964–
Archive 1995
silver dye bleach print (Ilfochrome), face-mounted to acrylic, edition 4/5
183.8 x 238 cm
Solomon R. Guggenheim Museum, New York
Purchased with funds contributed by the Young Collectors Council
© Thomas Demand/VG Bild-Kunst, Bonn. Licensed by VISCOPY, Australia
97.4576
Sarah Anne JOHNSON
The Buffer Zone 2003
from the Tree Planting series, 2003
243.8 x 254 cm
chromogenic print, ed 1/2
Solomon R. Guggenheim Museum, New York
Purchased with funds contributed by Pamela and Arthur Sanders; the Harriett Ames Charitable Trust; Henry Buhl; the Heather and Tony Podesta Collection, Falls Church, VA; Anne and Mel Shaffer; Shelley Harrison; and the Photography Committee, 2005
© Sarah Anne Johnson, courtesy of Julie Saul Gallery, New York
2005.43.44
For |
Senior Years Students |
Curriculum |
VCE Art/Studio Arts |
Aim |
To understand issues arising from the presentation of light sensitive images. |
Preparation |
To do this activity you will need to:
|
Individual Task |
Consider how these works have been presented in the exhibition. What are some of the issues that surround the conservation and presentation of large scale colour photography? |
Research Questions |
Works on paper, including photographs, require specialist treatment and handling in the display mechanisms and presentation. Research one aspect which you consider to be important in the presentation of a work on paper including photography. |