John GLOVER<br/> <em>Moulting Lagoon and Great Oyster Bay, from Pine Hill</em> (c. 1838) <!-- (recto) --><br /> oil on canvas on canvas<br /> 75.6 x 113.0 cm irreg. (image) 77.4 x 114.8 cm (canvas)<br /> National Gallery of Victoria, Melbourne<br /> Purchased with assistance of an anonymous donor and the M. G. Chapman Bequest, 2011<br /> 2011.11<br /> <!--98550-->
John GLOVER
Moulting Lagoon and Great Oyster Bay, from Pine Hill (c. 1838)
oil on canvas on canvas
75.6 x 113.0 cm irreg. (image) 77.4 x 114.8 cm (canvas)
National Gallery of Victoria, Melbourne
Purchased with assistance of an anonymous donor and the M. G. Chapman Bequest, 2011
2011.11

Australian Environments and Landscapes

Mon–Fri, 10 am, 11:30 am, 1 pm, 2:30 pm
Levels 7–10
The Ian Potter Centre: NGV Australia

How do works of art reflect human relationships with the Australian environment? In this NGV educator-led program students will analyse and discuss diverse representations of the Australian environment, including historical and contemporary landscapes, to investigate what works of art and design reveal about how different groups (such as First Nations communities and Settler Colonialists) have perceived, interacted with, and impacted the Australian environment.

This program supports elements of VCE Outdoor and Environmental Studies.

Students will:

  • Describe and analyse how works by First Nations artists reflect relationships to Country and the impact of colonisation.
  • Describe and analyse how visual artworks reflect different experiences of Australian outdoor environments, including the impact of increasing population, Industrialisation, and nation building.

Duration: 1 hour
Cost: $10.50 per student

Booking Form

    We require four weeks notice for all bookings.

    Changes to your booking must be made in writing. Changes can be made up to 14 days prior to your visit. Invoices will be sent prior to the visit. Full program fees will be incurred for late cancellations or amendments.

    Please note that this is a booking request only. You will receive a confirmation via email within 5 working days.

    School details

    Group details

    If less than 10 students attend a program, minimum fees may apply

    Program Selection

    Study Focus

    Please provide details of any relevant themes and skills your students are learning about at school. While we cannot offer individually tailored programs, our museum educators will consider this information when selecting and discussing works of art during the program.

    Date Selection

    We recommend you provide three date options for your program to avoid disappointment. We will do our best to accommodate your first preference, however due to high demand this may not always be possible.

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    Terms and Conditions

    We do not take tentative bookings. Bookings are considered firm at time of booking. Any amendments, including changes to participant numbers, must be made by email at least 14 days prior to the program. Invoices will be sent prior to the visit. Full program fees will be incurred for late cancellations or amendments. Payment must be paid at least one week prior to the visit.

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