Eighteen of Shakespeare’s plays appeared in print for the first time in that volume, and numerous others appeared in versions that differed significantly from the single-text editions that had come out previously. But these are all documents of performance – textual witnesses, not the live, dynamic events we call ‘plays’. They are blueprints for performance, and need to be brought to life.
Celebrating the recent acquisition of two works by German-born painter Philippe Mercier, Shakespeare scholar Dr David McInnis turns to the NGV’s rich Shakespeare holdings from the eighteenth and nineteenth centuries to explore the ways in which artists, not actors, have sought to animate Shakespeare’s playtexts. How do these artists breathe new life into Shakespeare’s words through paint and ink, imagining scenes and characters that had once enthralled early modern playgoers during Shakespeare’s own lifetime?
Speaker
Dr David McInnis is Associate Professor of Shakespeare and Early Modern Drama at the University of Melbourne. His most recent books include Shakespeare and Lost Plays and Shakespeare and Virtual Reality (both with Cambridge University Press, 2021). He is currently editing Timon of Athens for the Arden Shakespeare 4th series.
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