Francisco GOYA y Lucientes
The sleep of reason produces monsters (1797-1798)
(El sueño de la razón produce monstruos)
plate 43 from Los Caprichos (The Caprices) series (1797–98), published 1799
etching and aquatint printed in sepia ink
18.3 x 12.2 cm (image) 21.5 x 15.1 cm (plate) 24.2 x 16.7 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.43-1976
The sleep of reason produces monsters (1797-1798)
(El sueño de la razón produce monstruos)
plate 43 from Los Caprichos (The Caprices) series (1797–98), published 1799
etching and aquatint printed in sepia ink
18.3 x 12.2 cm (image) 21.5 x 15.1 cm (plate) 24.2 x 16.7 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.43-1976
Francisco GOYA y Lucientes
Pretty teacher! (1797-1798)
(¡Linda maestra!)
plate 68 from Los Caprichos (The Caprices) series (1797–98), published 1799
etching, burnished aquatint and drypoint printed in sepia ink
18.5 x 12.3 cm (image) 21.1 x 15.0 cm (plate) 24.2 x 16.9 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.68-1976
Pretty teacher! (1797-1798)
(¡Linda maestra!)
plate 68 from Los Caprichos (The Caprices) series (1797–98), published 1799
etching, burnished aquatint and drypoint printed in sepia ink
18.5 x 12.3 cm (image) 21.1 x 15.0 cm (plate) 24.2 x 16.9 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.68-1976
Francisco GOYA y Lucientes
Phantom dancing with castanets (Fantasma con castañuelas) 1824–28
Bordeaux Album II [H], 61
black crayon
19.1 x 15.0 cm (sheet)
Matilla and Mena 180; Gassier and Wilson 1818; Gassier I 473; Sánchez Cantón 385
Museo Nacional del Prado, Madrid (D04123)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
Phantom dancing with castanets (Fantasma con castañuelas) 1824–28
Bordeaux Album II [H], 61
black crayon
19.1 x 15.0 cm (sheet)
Matilla and Mena 180; Gassier and Wilson 1818; Gassier I 473; Sánchez Cantón 385
Museo Nacional del Prado, Madrid (D04123)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
Francisco GOYA y Lucientes
This is how useful men usually end up (Así suelen acabar los hombres útiles) 1814–23
Album C, 17
brush and carbon ink wash
20.6 x 14.2 cm (sheet)
Matilla and Mena 77; Gassier and Wilson 572; Gassier II 40; Sánchez Cantón 36
Museo Nacional del Prado, Madrid (D03929)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
This is how useful men usually end up (Así suelen acabar los hombres útiles) 1814–23
Album C, 17
brush and carbon ink wash
20.6 x 14.2 cm (sheet)
Matilla and Mena 77; Gassier and Wilson 572; Gassier II 40; Sánchez Cantón 36
Museo Nacional del Prado, Madrid (D03929)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
Francisco GOYA y Lucientes
Dream 27: Witches disguised as ordinary doctors (Sueño 27: Brujas disfrazadas en físicos comunes) 1797
preliminary drawing for Los Caprichos, plate 40
pen and iron gall ink over traces of black chalk
24.6 x 18.4 cm (sheet)
Gassier & Wilson 531; Gassier II.58; Sánchez Cantón: 26; Matilla & Mena Marqués 54
Museo Nacional del Prado, Madrid (D04198)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
Dream 27: Witches disguised as ordinary doctors (Sueño 27: Brujas disfrazadas en físicos comunes) 1797
preliminary drawing for Los Caprichos, plate 40
pen and iron gall ink over traces of black chalk
24.6 x 18.4 cm (sheet)
Gassier & Wilson 531; Gassier II.58; Sánchez Cantón: 26; Matilla & Mena Marqués 54
Museo Nacional del Prado, Madrid (D04198)
Photo © Photographic Archive. Museo Nacional del Prado, Madrid
Francisco GOYA y Lucientes
And so was his grandfather (1797-1798)
(Asta su abuelo)
plate 39 from Los Caprichos (The Caprices) series (1797–98), published 1799
aquatint printed in sepia ink
20.2 x 14.0 cm (image) 21.4 x 15.2 cm (plate) 25.8 x 18.4 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.39-1976
And so was his grandfather (1797-1798)
(Asta su abuelo)
plate 39 from Los Caprichos (The Caprices) series (1797–98), published 1799
aquatint printed in sepia ink
20.2 x 14.0 cm (image) 21.4 x 15.2 cm (plate) 25.8 x 18.4 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1976
P1.39-1976
Francisco GOYA y Lucientes
A way of flying (c. 1815-1819)
(Modo de volar)
plate 13 from Los Disparates (The Follies) series (c. 1815–19), published 1864
etching, aquatint and drypoint
21.7 x 32.5 cm (image) 24.5 x 35.1 cm (plate) 33.0 x 50.1 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1981
P23.13-1981
A way of flying (c. 1815-1819)
(Modo de volar)
plate 13 from Los Disparates (The Follies) series (c. 1815–19), published 1864
etching, aquatint and drypoint
21.7 x 32.5 cm (image) 24.5 x 35.1 cm (plate) 33.0 x 50.1 cm (sheet)
1st edition
National Gallery of Victoria, Melbourne
Felton Bequest, 1981
P23.13-1981