Multidisciplinary artist Nick Selenitsch adapts motifs from games, sports and street markings to create open-ended visual systems that flirt with the rules and procedures through which they are usually understood. By simultaneously embracing and subverting a desire for goal orientation (in both life and art), Selenitsch presents works of joyful aesthetic vibrancy that playfully evade an exact outcome. Incorporating a colour-field wall covered in velcro and stylised basketball hoops, Selenitsch’s participatory installation, The tactile subject, whimsically combines references to modernist art with the aesthetics of sporting fields and playgrounds.
