Title of work: Objects no. 2, 11, 7, 10, 3, 14, 20
This work speaks to ideas of form, deconstruction and reconstruction, assemblage, decay and erosion (burial and breaking, potential for breaking-delicacy), silhouette, lightness (physical and visual), colour (contrasts, balance, nostalgia, potential), decoration-finding new methods of decoration through denying function, balance, honesty of material and of process, serendipity, self-reference, scale-the miniature, the intimate and the cosmic. Thinking about ceramic processes – and creative processes on both a personal and larger scale – trying to connect the artwork to its space of creation, and history of creation. Documenting these processes visually, texturally-traces of hands and fingerprints, sanding process rendered in charcoal.