Installation view, REKOSPECTIVE. Photo Kate Shanasy

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Discover the stories behind NGV Collection works and exhibitions.

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Yayoi Kusama | Exhibition Overview
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It’s a dog’s life
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Richard Avedon Renée, the New Look of Dior, Place de la Concorde, Paris, August 1947
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Intersecting lines: the constructive paintings of Grace Crowley and Ralph Balson
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Contemporary Korean jewellery
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Gemma Smith Bask
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Maison Martin Margiela Bodice and Dress and apron
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Matthew Harris The British Museum
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Rembrandt Abraham Francen, apothecary and Studies of the head of Saskia and others
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Elizabeth Emma Soyer The escape
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Slow futures: time and techno-orientalist environmental threat in Yang Yongliang’s Phantom landscape
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A dance of materials: between the organic and inorganic in Iris van Herpen’s fashion
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Frank Lloyd Wright Vase
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Southern sojourns: Harden Sidney Melville’s 1874 painting of a Torres Strait canoe animated by Kulkalgal and Kemer Kemer Meriam voices of expeditions along the Great Barrier Reef
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Jean Ipoustéguy’s Death of the father at the NGV: marble, metal and lots of ink
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NGV Spotify playlists Gallery Playlist
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Framing the future: The growth of Australian houses
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Sacred geometry: The art and life of Reko Rennie
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A closer look: Designing Cats and Dogs in Art & Design
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A closer look: Designing the publication for Pharaoh
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Reimagining Birrarung
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Voice of the Birrarung river Uncle Dave Wandin, Wurundjeri Woi Wurrung Elder and Birrarung Council member.
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Reimagining Birrarung Design Concepts For 2070
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Portrait of Venice: Majestic Murano A journey through the complex history of Venetian glass
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Pharmacy jar from Santa Maria Nuova Italy, Florence (manufacturer), Giunta di Tugio (workshop of)
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Parure Italy, Rome
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Pair of armchairs Andrea Brustolon
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Doge Pietro Loredano Jacopo Tintoretto
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The finding of the true cross Cola dell'Amatrice
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The work of photographer Bruno Benini
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Les Gray’s Assignment, Rome Elisa Scarton
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Alato, vase Gio Ponti
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Countess Matilda of Tuscany Gianlorenzo Bernini
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The Crossing of the Red Sea Nicolas Poussin
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Madonna and Child with Saint John the Evangelist, Saint John the Baptist, Saint James of Compostela and Saint Nicholas of Bari Agnolo Gaddi
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Filippo Neri Italy/Spain
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Crucifixion Prospero Mallerini
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River landscape with Tiburtine Temple at Tivoli Claude Lorrain
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Dress and coat, spring–summer 2014 Prada, Milan
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The well Giovanni Battista Piranesi
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The Holy Family of Francis I, St Elizabeth, Saint John and the infant Christ Giulio Romano
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Capriccio: a tomb by a lagoon Canaletto
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Diana Giovanni Battista Piazzetta
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Caryatid Amedeo Modigliani
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Study for St John the Baptist Andrea del Sarto
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Study for an ignudo Annibale Carracci
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Celebrating 30 years of NGV Top Arts
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Rembrandt’s watermarked papers at the National Gallery of Victoria
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From Cologne to Melbourne: The watermark collection of Canon Ludwig von Büllingen
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NGV Educator John Parkinson
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Pharaoh | Exhibition overview Melbourne Winter Masterpieces® 2024
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Amorous soldiers and Amazons: queer tales from antiquity
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Sites of refuge, connection, creation, resistance and loss: the queer bar and nightclub in the twentieth century
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Future Press at Melbourne Art Book Fair 2024
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Afrotopia
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In the light of Destiny somewhere over the rainbow
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When Crowley Met Balson
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Pharaoh | 3000 years Melbourne Winter Masterpieces® 2024
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Surrealism and Design
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Flicking the switch
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Pharaoh | Exhibition preview Melbourne Winter Masterpieces® 2024
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Yayoi Kusama at NGV
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Reframing Swynnerton
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Christien Meindertsma | MECCA x NGV Women in Design Commission 2024
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Megacities NGV Triennial
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My Country: Country Road + NGV First Nations Commissions
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Tony Albert and Warraba Weatherall | My Country
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James Tylor and Aidan Hartshorn | My Country
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Jonathan Jones and Sophie Honess | My Country
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Pedro Wonaeamirri and Johnathon World Peace Bush | My Country
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Vincent Namatjira OAM and Alec Baker & Eric Barney | My Country
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Denise Robinson and Cheryl Rose | My Country
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Maree Clarke and Mitch Mahoney | My Country
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Peggy Griffiths and Jan Griffiths | My Country
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NGV Triennial 2023 | Exhibition introduction
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Hugh Hayden NGV Triennial
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Diana Al-Hadid NGV Triennial
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Top Arts 2024 | Hector Hennessey Student interview
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Top Arts 2024 | Jett Leduc Student interview
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Top Arts 2024 | Lucas Taylor Student interview
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Top Arts 2024 | Kate Jing Student interview
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Top Arts 2024 | Arthur Bartura Student interview
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Top Arts 2024 | Mataso Chung Student interview
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Top Arts 2024 | Milly Borrack Student interview
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Top Arts 2024 | Eleftheria Dabos Student interview
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Top Arts 2024 | Paul Halton Student interview
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Top Arts 2024 | Elliot Broome Student interview
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Top Arts 2024 | Alex Savesky Student interview
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Top Arts 2024 | Maya Donaldson Student interview
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Top Arts 2024
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The craft and care of Chinese lacquer
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The case of the fraudulent fur
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Hugh Hayden
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My Country
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A Conversation with Tracey Emin
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David Shrigley | Really good NGV Triennial
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The secret of the doll’s dress
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Agnieszka Pilat NGV Triennial
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Franziska Furter NGV Triennial
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Smac McCreanor NGV Triennial
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Exhibition Introduction NGV Triennial
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Mun-Dirra (Maningrida Fish Fence) NGV Triennial
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Jean Jullien | Rififi: Jean Jullien for Kids NGV Triennial
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Fernando Laposse NGV Triennial
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David Shrigley | Melbourne Tennis Ball Exchange NGV Triennial
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Elisabetta Sirani’s Head of a boy
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Sheila Hicks
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Dog days
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In the studio with Agnieszka Pilat
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Visible and invisible
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Hidden story of the city
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Moving, working, flowing
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This chaotic and tangled place
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Diverse megalopolis
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Multilayered vibrancy
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Urban symphony
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City of magic
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In a state of constant movement
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After the thaw
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Fragile flight of memory
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In kind
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Haunted objects
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The fold
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Seeing ordinary men and women
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Art in the continuum of nature
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Peel slowly and see1
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Celluloid megacities
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Please scream inside your heart
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Gather ye rosebuds
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The door the bone dress opened
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Infinite horizons
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Myth, Matter and Satellites
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Painting space
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Grafting shadows
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A kaleidoscopic lens
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Resisting closure
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The great breath
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Treading lightly in a world of many worlds
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Who am I? Paola Pivi
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A journey through Watercolour Country
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Bethan Laura Wood | MECCA x NGV Women in Design Commission 2023 NGV Triennial
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Ore streams – Table Formafantasma
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Ore streams – Low chair Formafantasma
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Ore streams – Desk Formafantasma
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Ore streams – Screen 2 Formafantasma
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Ore streams – Screen 1 Formafantasma
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Ore streams – Cabinet Formafantasma
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Volute krater (Apulian red-figure ware) Italy, Apulia
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Squat lekythos (Apulian Gnathian ware) Italy, Apulia
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Pelike (Apulian red-figure ware) Italy, Apulia
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Post Mundus chair Martino Gamper
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Alice armchair Jacopo Foggini
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Ghost, armchair Cini Boeri and Tomu Katayanagi
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Infinite woven symphony
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Yang Metamorfosi Carlotta de Bevilacqua
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Archaistic kore; Head of kore Italy
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Head of Septimius Severus   Italy
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Head of Vespasian   Italy
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Patchwork (Pezzato) vase Venini & Co., Murano
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Candelabrum Venice and Murano Glass and Mosaic Company, Venice
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Tazza Italy, Venice
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Handkerchief (Fazzoletto) vase Venini & Co., Murano
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Alpheus and Arethusa, Salmacis and Hermaphroditus, double-spouted ewer  Fontana Workshop, Urbino
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Diana and Acteon, dish  Italy, Tuscany
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Diana and Acteon, plate from the Sapies service  Italy, Casteldurante
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Compact tablewares Lella and Massimo Vignelli
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Beanbag (Sacco) Piero Gatti, Cesare Paolini and Franco Teodoro
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Portrait of the painter Manuel Humbert Amedeo Modigliani
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The Mocking of Christ Orazio Gentileschi
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Head of a boy (recto); Compositional study for classically attired male and female figure (verso) Elisabetta Sirani
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Flagellation group Alessandro Algardi  
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The Virgin attended by three holy women Antonio Begarelli  
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Evening gown Versace
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Antica pasticceria Milano, handbag Franco Moschino
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Delphos Mariano Fortuny
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Piazza d’Italia Giorgio de Chirco
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The three Marys at the sepulchre Franceso Romanelli
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Mystic marriage of St Catherine Lavinia Fontana
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St George slaying the dragon Paolo Uccello
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A monk with a book Titian
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Charity Alessandro Turchi
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Madonna in prayer Sassoferrato
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Cardinal Richelieu Gianlorenzo Bernini
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Bacino di S. Marco: From the Piazzetta Canaletto
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Ruins of the Forum, Rome Bernardo Bellotto
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The Cumaean Sibyl delivering the Oracles Giovanni Paolo Panini
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Luigi Boccherini Italy
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Portrait group: The singer Farinelli and friends Jacopo Amigoni
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Chair Carlo Bugatti
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Carlton room divider Ettore Sottsass and the Memphis Milano Group
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Madonna and Child with infant Saint John the Baptist Correggio
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Huntsman sounding his horn with a staghunt in the distance Parmigianino
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Lucrezia Borgia, Duchess of Ferrara Dosso and Battista Dossi
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Martyrdom of St Lawrence Jusepe de Ribera
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The Banquet of Cleopatra Giambattista Tiepolo
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Prime mover (Primo mobile)   Master of the E-series Tarocchi
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Battle of the nudes Antonio Pollaiuolo
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Battle of the sea gods: right half of a frieze   Andrea Mantegna
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Massacre of the Innocents   Marcantonio Raimondi  
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The Annunciation Federico Barocci  
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Madonna and Child with three angels Cosimo di Lorenzo Rosselli
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Love is blind Donato Barcaglia
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My Country The Country Road + NGV First Nations Commissions
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Framing the modern: Twentieth-century picture frames in Melbourne and beyond
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NGV x MECCA: Kaylene Whiskey
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Connecting the Dots: First Peoples Art from the NGV with Tony Armstrong Podcast
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Conservator insight: Conoid, bench, 1966
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The rise and fall of Milan Memphis
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George Nakashima and Isamu Noguchi: A Life Between
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Annual Appeal 2023
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A salute to Frau-haus!
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Virtual Tour with Dr Miranda Wallace and India Mahdavi HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Dr Ted Gott, Senior Curator, International Art HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Dr Miranda Wallace, Senior Curator, International Exhibition Projects HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Michael Varcoe-Cocks, Associate Director, Conservation HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Simone LeAmon, The Hugh Williamson Curator of Contemporary Design and Architecture HSBC series | Pierre Bonnard: Designed by India Mahdavi
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A radical style
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Stories of saris
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‘A companion to the horizon’
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Artist Profile: Frank Lloyd Wright
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The influence of nature
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Unworldly Goods
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Bi Warrior Figure, 2022
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Liam Young: the worlds of tomorrow
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Shedding new light on James Tissot’s An interesting story
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Design through history : Shaker design and furniture
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Dame Elisabeth’s embroidered garden
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Three things you didn’t know about Pierre Bonnard Pierre Bonnard: Designed by India Mahdavi
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Exploring frames and framing in late 19th century Melbourne through the transcription of Thallon’s ledger 1888/89–1903
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Troy Emery Melbourne Now
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Mark Smith Melbourne Now
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Shaun Gladwell Melbourne Now
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Gracia and Louise Melbourne Now
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Great Wrap Melbourne Now
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Rel Pham Melbourne Now
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Brud Studia Melbourne Now
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Elvis Richardson Melbourne Now
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Lou Hubbard Melbourne Now
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James Lemon Melbourne Now
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Globe International Melbourne Now
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Kelly Koumalatsos Melbourne Now
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NGV Conservation: Rembrandt’s tools Rembrandt: True to Life
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The Legacy of Pierre Bonnard Pierre Bonnard: Designed by India Mahdavi
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The Interior Space
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NGV Asian Art Collection
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Pierre Bonnard: Designed by India Mahdavi | Exhibition introduction Melbourne Winter Masterpieces® 2023
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The restorer’s mark: investigating the past restoration of an NGV chair
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The Weight of Air
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Salvador Dalí: Mae West’s lips
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Top Arts 2023 | Rufus Punton
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Top Arts 2023 | Milo Strangio
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Top Arts 2023 | Michael Fisher
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Top Arts 2023 | Miranda Plowman
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Top Arts 2023 | Mae Czechowski
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Top Arts 2023 | Jack Snow-Viener
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Top Arts 2023 | Amy Seymour
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Top Arts 2023 | Lola Vincent
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Top Arts 2023 | Kelly Hirschmann
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Top Arts 2023 | Celeste Yun Hang
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Top Arts 2023 | Jevons Wang
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Top Arts 2023 | Beth Pert
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Top Arts 2023
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Joy Hester Pauline McCarthy
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Edwaert Collier Trompe l’œil with a letter rack holding newspapers, letters, writing equipment and a comb
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England Bedcover
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The rainbow flag: a borderless design
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Florence Henri Nude composition (Nu composition)
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Sèvres Porcelain Factory Eleven figures from The Scarf Dance, table centrepiece (Le Jeu de l’Écharpe)
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Coming back home
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The rise and fall of Glyn Philpot
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Queering the family portrait: Jacopo Amigoni’s portrait of Farinelli and friends
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Hannah Brontë EYE HEAR U MAGIK
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Richard Estes Urban landscapes I
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Tcheu Siong Chao and the Three Spirits (Yawm Saub Chao)
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Interpreting Shunga scroll: sex and desire between women in Edo’s ‘floating world’
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Paul Yore The Evacuation of Mallacoota
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Queering the nation, querying the history of Black portraiture: Zanele Muholi’s Somnyama Ngonyama as a healing ritual
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The Prada dress Fashion Illustration with Angie Réhe
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The Gucci coat Fashion Illustration with Angie Réhe
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The Dior shoe Fashion Illustration with Angie Réhe
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Gothic snowflake
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An Interview with Michael Schmidt Alexander McQueen: Mind, Mythos, Muse
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Spring, from the four seasons
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Writer Response: Emotion and Empathy
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Hidden behind the candlelight
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China – The Past Is Present
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MECCA x NGV Women in Design Commission | Tatiana Bilbao
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Global trade and the rise of luxury
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Sun queen
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Zaha Hadid: Wave sofa 1988
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Public Reaction to Ron Mueck’s Mass
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Curators Against the Clock | Wifredo Lam The Picasso Century
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Curators Against the Clock | Picasso’s Sculptures The Picasso Century
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Creating Queer Spaces | NGV and American Express Present: Queer Creatives
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Jewellery and Body Adornment from the NGV Collection
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A Studio of Their Own: Lavinia Fontana and Elisabetta Sirani
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On the AR.Trail
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Augmentation of the Senses
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Augmented Reality in Museums
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The Picasso Century | Online tour Melbourne Winter Masterpieces® 2022
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Curators Against the Clock | Picasso and Politics The Picasso Century
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Curators Against the Clock | Marie Laurencin The Picasso Century
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A hard day’s night: conserving David McDiarmid’s collaged works on paper
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Session one: Queer People Archiving Their Histories QUEER X AQuA: Mining Queer Histories
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Session two: The Legacy of David McDiarmid QUEER X AQuA: Mining Queer Histories
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Session three: HIV/AIDS Activism, Then and Now QUEER X AQuA: Mining Queer Histories
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Session four: Landmark LGBTQ+ Exhibitions in Australia QUEER X AQuA: Mining Queer Histories
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Lavinia Fontana Europe's first professional woman painter
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Women and Dutch still life painting
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The Picasso Century | Exhibition introduction Melbourne Winter Masterpieces® 2022
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Moving Backwards by Pauline Boudry and Renate Lorenz QUEER: Stories from the NGV Collection
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Transforming Worlds: Change and Tradition in Contemporary India
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Top Arts 2022 | Exhibition introduction
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Requiem to New York: Photographs by Ashley Gilbertson
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QUEER: Stories from the NGV Collection Exhibition introduction
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The Picasso Century Melbourne Winter Masterpieces® 2022
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Bark Ladies: Eleven Artists from Yirrkala | Episode four: The Gecko and the Mermaid: Djerrkŋu Yunupiŋu and her sister
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Transforming Worlds: Change and Tradition in Contemporary India
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Top Arts 2022 | Student interview compilation
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Top Arts 2022 | Amy Pham Student Interview
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Top Arts 2022 | Arthur Foulkes Student Interview
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Top Arts 2022 | Daniel Ireland Student Interview
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Top Arts 2022 | Sandra Gibbins Student Interview
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Top Arts 2022 | Sebastian Durham Student Interview
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Top Arts 2022 | Zara Blake Student Interview
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Top Arts 2022 | Frida Morden-Paino Student Interview
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Top Arts 2022 | India Wallace Student Interview
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Top Arts 2022 | Kellie Palatino Student Interview
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Top Arts 2022 | Liana Keleman Student Interview
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Top Arts 2022 | Milla Freeman Student Interview
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Top Arts 2022 | Ringoro Watanabe Student Interview
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Queer: Stories from the NGV Collection with Courtney Act Podcast
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Top Arts 2022
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Lavinia Fontana Mystic Marriage of St. Catherine
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NGV Collection Highlight | Sori Yanagi Curator talk
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American Japanese Design Curator talk
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Sampling the Future | Knitted Architecture Ewan McEoin, Jenny Underwood & Leanne Zilka
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Sampling the Future | MARS Ewan McEoin & Alex Goad
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Julia Gillard in conversation with Dhambit Munuŋgurr Bark Ladies: Eleven Artists from Yirrkala
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Bark Ladies: Eleven Artists from Yirrkala | Episode three: Contemporary interpretations in bark paintings
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Gabrielle Chanel. Fashion Manifesto | Collecting Chanel Preserving the past
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Gabrielle Chanel. Fashion Manifesto | The little black dress A symbol of modernity
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Gabrielle Chanel. Fashion Manifesto | Curator favourites Curator talk
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Camille Henrot in conversation With NGV Curator
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Bark Ladies: Eleven Artists from Yirrkala | Episode two: Yolŋu women and bark painting
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Bark Ladies: Eleven Artists from Yirrkala | Episode one: Introduction
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Djerrkŋu Yunupiŋu: I am a Mermaid
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Donga Maymuru: Harvesting bark 
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Naminapu Maymuru-White: River of Heaven and Earth 
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Bark Ladies: Eleven Artists from Yirrkala
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Unboxing Gabrielle Chanel. Fashion Manifesto Behind the scenes
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Introducing Gabrielle Chanel. Fashion Manifesto Curated by the Palais Galliera, Paris
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Kai-awase: the shell-matching game
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A golden opportunity
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Revealing the hand of the craftsman
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Sampling the Future
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Found and Gathered
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NGV X MECCA: Naomi Hobson
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Lucy McRae’s Prickly lamp History in the Making
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Virtual Curator Tour | Goya Exhibition highlights
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A riveting past
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Art and Change with Ben Quilty We Change the World
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Australian Impressionism 9 by 5 frames Recreating a frame
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Lillie Williamson’s frames A conservator’s insight
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Goya’s tools and techniques A conservator’s view
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What are children’s plans for the planet? Future thinking
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The articulate landscape of Thomas Clark
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Design and Change with Brodie Neill We Change the World
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Goya’s Visions
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Goya: Impossible Monsters Digital Publication
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Pietà
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History in the Making exhibition introduction With NGV Curator
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In her likeness: Recasting the stories of famous women in art
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Australian Impressionism exhibition tour A curator's perspective
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The Female Australian Impressionists Pivotal painters
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Charles Conder’s Hot Wind and the femme fatale A curator’s perspective
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Maree Clarke: Ancestral Memories Exhibition introduction
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What is a possum-skin cloak? With artist Maree Clarke
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Art and Change with Ryan Presley We Change the World
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‘Who was this talented Maria Margaretha la Fargue?’
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Bushfire Brandalism Posters
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Finding Time
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Rebels: The Life-changing Women’s Movement Behind a Prison Medal
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We Change the World | NGV Teen Council 2021 Reflections
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A Fresh view of Spring: reframing a Streeton landscape
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Making whole again: Re-creating large missing ornaments on two frames
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Tool box of a frame maker
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Caring For Your Frames
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What do frame maker labels reveal?
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A closer look at the Poussin frame and frame-making in early 18th century Paris
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The 28th Regiment at Quatre Bras (1875) frame treatment
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Framers in Focus: Nineteenth-century Melbourne frame makers
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Framers in Focus: Elizabeth (Lillie) Williamson
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Framers in Focus: J. Caro
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Framers in Focus: Gill’s Fine Art Gallery
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Framers in Focus: Artistic Stationery Company (James Buxton)
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Framers in Focus: W. J. Tiller
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Framers in Focus: John Thallon
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Framers in Focus: Alexander Fletcher
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Framers in Focus: W.R. Stevens
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Framers in Focus: Isaac Whitehead
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Framers in Focus: John MacLachlan
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Framers in Focus: Richard Foster Norton
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Framers in Focus: Campi Family
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An interview with Jeff Koons In conversation with NGV Director
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Julian Rosefeldt
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Maree Clarke’s Ritual and Ceremony Ancestral Memories
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Maree Clarke’s possum-skin cloak Ancestral Memories
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Tattooing Goya Saturn Devours His Son
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Gabrielle Chanel. Fashion Manifesto In partnership with the Palais Galliera
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Victorian Artists Society on painting en plein air Continuing the Impressionists' legacy
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An ode to the airbag
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Big Weather | Exhibition introduction NGV Indigenous Art Collection
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An interview with Clinton Naina Big Weather
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We Change the World
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Goya | Exhibition Introduction Drawings from the Prado Museum
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‘The past is in the present is in the future’
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Art and Change with Hoda Afshar We Change the World
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Buddhism, Mindfulness & Asia Asia Society X NGV
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Design and Change with Yan Huang We Change the World
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Mindfulness in Taekwondo Asia Society X NGV
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Woven Song – Pukumani By Deborah Cheetham AO
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Mary Tonkin on painting en plein air Continuing the Impressionists' legacy
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Country without Rain
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Art Nouveau 101 Decorative Arts
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Looking skywards: the endless capability of clouds
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Woolgathering
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Me and my muse
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The art of mindfulness
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A silent and invisible conversation
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NGVWA Presents ‘Art of Tea’ Thursday 6 May 2021
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History in the Making
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Triennial conversations | Dhambit Munuŋgurr In conversation with Myles Russell-Cook
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In conversation: Lee Darroch
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Seeing what they saw
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Telstra Creativity and Innovation Series Keynote: Redesigning Artificial Intelligence – From Australia Out
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Can we all have a happy life?
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The intricate designs of Lisa Waup
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Adam Pyett on landscape painting Continuing the Impressionists' legacy
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Brodie Neill on Gyro, table 2016
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Formafantasma
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The magnetising Jólan van der Wiel
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Alexandra Kehayoglou
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Artist Profile: Hoda Afshar
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Ben Quilty on 150 year, Rorschach 2019
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But goodways
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Tiffany Studio: Clara Driscoll
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Salon et Lumière | A Telstra Creativity and Innovation Series presentation
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NGV Triennial | JR’s Homily to Country
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Sheep conservation: A hard slide
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Top Arts 2021 | Exhibition Introduction
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Top Arts 2021 | Sarah Hare Student Interview
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Top Arts 2021 | Sarah Jajou Student Interview
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Top Arts 2021 | Olivia Jonasz Student Interview
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Top Arts 2021 | Irene Lee Student Interview
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Top Arts 2021 | Francesca Di Paolo Student Interview
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Top Arts 2021 | Luca Feldman Student Interview
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Top Arts 2021 | Madeleine Colt Student Interview
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Top Arts 2021 | Angelina Innocent Student Interview
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Top Arts 2021 | Matthew Chan Student Interview
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Top Arts 2021 | Bronte Green Student Interview
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Top Arts 2021 | Phoebe Thompson Student Interview
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Top Arts 2021 | Arie Sawyer Student Interview
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Top Arts 2021 | Angus Stewart Student Interview
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Top Arts 2021 Student Interview Compilation
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Top Arts 2021
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Big Weather
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NGV Teen Council 2020 | Lauren Favourite works from the NGV Collection
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DESTINY: the art of Destiny Deacon
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NGV Triennial | Introducing Homily to Country Presented by Ewan McEoin
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Triennial conversations | JR / Rivers in decline Badger Bates, Gabrielle Chan, Rachel Strachan and Alan Whyte in conversation with Ewan McEoin
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Triennial conversations | Revising narratives Claire G. Coleman, Frieda Toranzo Jaeger, Timothy Moore and Scotty So in conversation with Pip Wallis
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Triennial conversations | Resonant nature Refik Anadol and Dr Tessa Laird in conversation with Simone LeAmon
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Triennial conversations | Nature as collaborator Talin Hazbar, Elliot Bastianon, Geoff Nees and Hannah Presley in conversation with Myf Doughty
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Triennial conversations | Oceans on the edge Professor Madeleine van Oppen, Pirjo Haikola and Alex Goad in conversation with Ewan McEoin
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Triennial conversations | Get real estate Jill Garner, Amy Muir and Michael Bleby in conversation with Ewan McEoin
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Triennial conversations | Future First Nations Megan Cope, Angela Tiatia and Hannah Presley in conversation with Myles Russell-Cook
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Triennial conversations | A Dark Horizon Dr. Edward Colless and Professor Larissa Hjorthin in conversation with Dr. Simon Maidment
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The spectre of speculation
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Depths of the mirror
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Upon us, a luminous scene
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Some notes on conservation
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Ivan Durrant | Exhibition video tour
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TIWI | Exhibition video tour
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Triennial conversations | House Of Heroines Lara Schnitger in conversation with Pip Wallis
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Spectrum: An Exploration of Colour
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NGV Triennial with 7am Podcast
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NGV Teen Council 2020 | Venice
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Huddle Simone Forti
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Two chairs on fire
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1938
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Artist Talk – In Absence: NGV Architecture Commission 2019
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Sarabande from Bach’s Suite No 1 for Violoncello in the Salon Gallery Inspired by Salomon van Ruysdael's River landscape with boats
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Bach’s Allemande from the D minor Partita No 2 in the Gallery Inspired by Meindert Hobbema’s The old oak
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Edwin Landseer’s Scene from A Midsummer Night’s Dream With Senior Curator of International art, Ted Gott
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William Quiller Orchardson’s The First Cloud With Senior Curator of International art, Ted Gott
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Arthur Streeton’s Corfe Castle With Curator of International Art, Laurie Benson
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Yayoi Kusama NGV Triennial 2017
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Black Bamboo Contemporary Furniture Design From Mer, Torres Strait
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Julian Rosefeldt In the Land of Drought
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Adam Goodrum, Arthur Seigneur Bloom, cabinet
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Robert Jacks Temple gate
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Louise Bouteiller Césarine de Houdetot, Baronne de Barante reading Paul et Virginie
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A trick of the eye: illusion, mimicry and camouflage in nature and art
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KAWS: The influence of pop-culture Senior Curator Dr Simon Maidment on Brian Donnelly
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Divergent Ambitions: The Door of Hope Mission in early twentieth-century Shanghai
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Indigenous Voices of Creative Assertion and Resistance
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She Is Like No Other: A call and response to Umma (Mother)
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Rt. Hon. Harold Chaloner Dowdall, Lord Mayor of Liverpool and his sword-bearer
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Japanese Large plate with cherry blossom, wisteria and Oiran with nightingale
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‘Mr Cooper’s interesting present’: likeness and learning in William Dyce’s Portrait of HRH the Prince of Wales, 1848, National Gallery of Victoria
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The Lashmar family, 1857–58: emigration, photography and family ties
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‘Rich, effective pictorial pageantry’: Augustus John’s Rt. Hon. Harold Chaloner Dowdall, Lord Mayor of Liverpool and his sword-bearer, 1909
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Julian Opie Time Frozen
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Barrupu Yunupingu Gurtha (Ancestral fire)
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Ken Unsworth Truly, Madly
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MoMA at NGV 130 Years of Modern and Contemporary Art
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We Make Carpets NGV Triennial 2017
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Human rights activist Ai Weiwei
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The 2016 NGV Architecture Commission: M@ STUDIO Architects
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Lee Mingwei, The Moving Garden, 2009–
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The Australian Islamic Centre in Newport, Melbourne
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Clifford Bayliss Untitled
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Prada Coat
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Romance Was Born
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Ishikawa Toraji Ten nudes
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Conservation live: the John Herbert Public Conservation Project
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Georges Hugnet The seventh face of the die
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A cabinet of curiosity: an early English japanned cabinet in the collection of the National Gallery of Victoria
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Pieter Hugo Green Point Common, Cape Town
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William Larkin Mary, Lady Vere
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The making of the inaugural Summer Architecture Series John Wardle Architects
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Rigg Design Prize 2015 | Metal is treasure from the earth Korban/Flaubert
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Rigg Design Prize 2015 | Weaving connections between the traditional and contemporary Koskela and Elcho Island Arts
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Rigg Design Prize 2015 | Unconstrained by practicality and functionality Kate Rohde
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Rigg Design Prize 2015 | It’s just nice Daniel Emma
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Rigg Design Prize 2015 | A product has to justify it’s existence Adam Goodrum
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Rigg Design Prize 2015 | Merging form, material and process Brodie Neill
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Rigg Design Prize 2015 | Crafting continuity and subconscious attraction Khai Liew
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Richard Mosse: The Enclave
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Unravelling textile techniques Exquisite Threads
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Songwriting and art-making Tom Iansek
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‘Foolish’ endeavours Alex Gow
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William Quiller Orchardson: The first cloud Curator Talk
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Creating Characters Leigh Hobbs
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Making something out of nothing Alison Lester
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Making books – a love of language and art Ron Brooks
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Illustration as a writing process Shaun Tan
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The Life of an Illustrator Ron Brooks, Alison Lester, Leigh Hobbs and Shaun Tan
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Bunyips and Dragons: Australian Children’s Book Illustrations
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Transmission Digital Publication
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The Possibilities of the Artist Book Max Schumann
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The John Herbert Public Conservation Project Live conservation, part 4
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The John Herbert Public Conservation Project Live conservation, part 3
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The John Herbert Public Conservation Project Live conservation, part 2
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The John Herbert Public Conservation Project Live conservation, part 1
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A case study of two lama portraits in the collection of the National Gallery of Victoria
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In defence of Australian Minimalism: Guy Stuart’s Lock Span, 1969
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The gallery of air
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Meissen Porcelain Factory Pair of stands
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E. Phillips Fox Dolly, daughter of Hammond Clegg Esq.
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André Masson Ecstasy
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Zhu Qizhan Mountain landscape
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Yvonne Todd Approximation of Tricia Martin
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Dion Lee Vein sleeveless dress
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Nonggirrnga Marawili Thunderman raining down
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Simon Starling Black drop and Venus mirrors (05/06/2012, Hawaii & Tahiti inverted)
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Jess Johnson Outer head of the order (Vestibule incarnate)
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Cultivating concrete Jamie North
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Ryan Trecartin: Re’Search Wait’S
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Why I paint John Wolseley
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Alex Prager Digital Publication
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Gods, Heroes and Clowns: Performance and Narrative in South and Southeast Asian Art
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Jamie North Rock melt, 2015
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Nordic Cool: Modernist Design
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Golden Mirror Carousel Installation Carsten Höller
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Rethinking our built environment Carsten Höller
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The Making of Jean Paul Gaultier: From the Sidewalk to the Catwalk Behind the scenes
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Why Australian Painting Matters Patrick McCaughey
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The Role of the Art Magazine Geoff Newton
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Tom Roberts: naturalistic bent Curator Talk
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Comedy is sublime David Shrigley
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Accumulating a crowd Alex Prager
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Marriage and murder: two wedding chests with representations of Judith
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Takahiro Iwasaki’s Reflection model (Itsukushima), 2013–14
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An interview with Instrument Builders Project founders and co-curators Kristi Monfries and Joel Stern
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Constance Jenkins, her painting Friendly critics and the National Gallery of Victoria Travelling Scholarship
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Outer Circle: The Boyds and the Murrumbeena Artists
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Carsten Höller’s Golden Mirror Carousel
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Framing Fancies: Lely’s portrait of Sir John Rous
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The National Gallery of Victoria’s Virgin and Child, by a follower of Jan van Eyck: a continuing reassessment
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The lives of a man’s eighteenth-century coat
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Two insights into Auguste Rodin’s The thinker
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Video art at the National Gallery of Victoria: 1973–78
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Information exchange: Robert Rooney and Roger Cutforth
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Dream on: Tjukurrtjanu: Origins of Western Desert Art goes to Paris
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France: The derision of Christ
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Three illustrated publications by officers of the First Fleet
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Utagawa Yoshinku: Sumo Banzuke
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Minton, Stoke-on-Trent, Charles Toft senior Vase
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Neil Douglas: Kangaroo platter
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Lipundja and unknown Yolngu artist: Mokuy figures
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Pierre Cardin: Jacket and mini dress
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Alasdair Duncan MacKinnon: Patchwork of society
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Fiona Pardington: Portrait of a life cast of Matoua Tawai, Aotearoa New Zealand 2010
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Shaun Gladwell: Midnight traceur
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Contemporary artefacts and narcissistic robots: an interview with Wade Marynowsky
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Sharp focus and an unsentimental vision
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Anwerlarr Anganenty (Big Yam Dreaming) Points of View
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Joseph Willems’s Chelsea Pietà and eighteenth-century sculptural aesthetics
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Shearing the Rams Points of View
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Porcelains by Rogers, Poncelet and Fournier
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Paul Strand 1890–1976: milestone in photography
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The 13th century Psalter-Offices of Joffroy d’Aspremont
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Bhagavata Purana illustrations from a 19th century Deccani school
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A drawing by Battista Franco and its Venetian context
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Prospero Fontana’s Holy Family with saints
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A discussion about Augustus Earle and some of his portraits
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Ymage D’Alabastre: a medieval sculpture of Saint John the Baptist
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Tom Roberts’s Shearing the rams: the hidden tradition
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Figure: Lalage
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The National Gallery Society of Victoria
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Videotapes from New York
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A newly-discovered masterpiece by J. M. W. Turner
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The Anne Schofield costume collection
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A Campanian phlyax vase
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Rembrandt’s Shell – conus marmoreus L.
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Goya’s Caprichos
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A monotype by Degas: Madame Cardinal scolding an admirer
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J. W. Lindt, photographer (1845–1926)
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Three recently acquired Greek vases
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Two Paintings by Huang Pin-hung (1864–1955)
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Portrait of Maria Elizabeth O’Mullane and her children c.1852
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The Clavey family by Arthur Devis
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An Attic red-figured bell-krater
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Two drawings by Giulio Romano
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A pedestal by Robert Prenzel
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Mahākāli
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Amitie: Russell and Van Gogh
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Three newly acquired symbolist graphics by Ensor, Aman-Jean and Munch
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A tribute to Brian Finemore
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A maiolica plate signed ‘F.R.’
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Bushido: Way of the Samurai
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The development of the collections of decorative arts in the National Gallery of Victoria
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The original provenance of the Predella panel by Stefano di Giovanni (Sassetta) in the National Gallery of Victoria: a hypothesis
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Recent additions to the collection of Greek vases
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Fred Kruger (1831–88)
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A note on Salvator Rosa’s study for The death of Empedocles
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The date of a rare blue-and-white wine jar in the Chinese Collection
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Vordemberge-Gildewart and Hanover Constructivism
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Jules Bastien-Lepage: a new perspective
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The changing face of the Gallery Society
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A Florentine Book of Hours in the National Gallery of Victoria
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Eroticism, myth and the bullfight: Picasso’s Femme Torero I and Corrida
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Mughal painting under Akbar: the Melbourne Hamza-nama and Akbar-nama paintings
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The encounter of Baldessin and Tillers on an etching plate According to des Esseintes 1976
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Cleopatra, pearls and extravagance: Tiepolo’s Banquet of Cleopatra
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Tribute to Fred Williams: National Gallery of Victoria, 12 May 1982
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Home again by Frederick McCubbin
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Claude Lorrain’s A wooded landscape
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Jean Dubuffet: Arabe au burnous
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Observations on the red chalk figure studies of Baccio Bandinelli: two examples at Melbourne
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A new Greek vase of c. 700 B.C.
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Mark Rothko’s Untitled (Red): colour and the experience of the sublime
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Love among the ruins: two pastorals by François Boucher
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The Synnot children by Joseph Wright of Derby
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The Flemington Cup
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The violent vision of the 1940s
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Acquisitions of contemporary Australian sculpture
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The Great Hall tapestry
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Joseph Lycett: the pastoral landscape in early colonial Australia
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A monkey effigy jar from ancient Mexico
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A witness to Guernica: Picasso’s Weeping woman
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Redon, Mellerio, Mantegna and the Melbourne Pegasus
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Henry Fuseli’s Milton when a youth
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Arthur Hughes’s La Belle Dame sans merci and the femme fatale
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The iconography of the Antwerp altarpiece
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Bacino di S. Marco: from the Piazzetta
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Zhu Da: the mad monk painter
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Paraphernalia for the Ceremonial Ball Game in Ancient Mexico
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The market scenes of Camille Pissarro
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The ‘haunting subhuman monstrosities’ of ancient Nayarit: a critical reassessment
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Sunflower by Jacob Epstein
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Ragnar Hansen and Hendrik Forster: two recent acquisitions in contemporary Australian silver
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Architecture and photography
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A head of Nefertiti and a figure of Ptah-Sokar-Osiris in the National Gallery of Victoria
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A Kushān bodhisattva and early Indian sculpture
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The lost Wimmera years of Sidney Nolan 1942–44
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Guercino’s Two studies for Ahasuerus
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A personal tribute
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The lost art of Federation: Australia’s quest for modernism
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An enthusiastic amateur of the arts: Eliezer Levi Montefiore in Melbourne 1853–71
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The harem – painting behind the scenes
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Balthus, Nude with a cat
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Udaipur Paintings of the Raslila
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A profile portrait of a Renaissance woman in the National Gallery of Victoria
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Illuminating words
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Ist das Alles?
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Editorial
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Obituary: Dr Mary Woodall 1901–1988
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A documentary impulse: Australian photographer Geoffrey Collings
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Selected affinities: Fred Williams’s drawings after Rembrandt
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Mathaman: warrior, artist, songman
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A bold aesthetic: the Lajamanu panels
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Sebastiaen Vrancx’s Crossing of the Red Sea
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An Australian student of Frank Brangwyn: Jessie C. A. Traill in London and Belgium, 1907–1908
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Artists in society: a Melbourne circle, 1850s–1880s
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Portrait of a painter: a photograph of Conrad Martens by Freeman Brothers Studio, 1856
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William à Beckett’s copy of Young’s Night Thoughts
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The shadow of Los: embossing in Blake’s Book of Urizen
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Lu Ji’s Birds in a winter landscape
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The makings of a trilogy
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The Interior of St Janskerk at Gouda by Hendrick Cornelisz van der Vliet
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Variation, transformation and interpretation: Watteau and Lucian Freud
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William Blake’s Jerusalem: plate 51
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Contributions to the study of the Triptych with the miracles of Christ: The marriage of Cana
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Australia Felix: Douglas T. Kilburn’s daguerreotype of Victorian Aborigines, 1847
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The graphic context of Jusepe de Ribera’s The poet
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‘The Breaking of the Web’: William Holman Hunt’s two early versions of The Lady of Shalott
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Look homeward Angel: Marshall Claxton’s emigrant
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Tintoretto’s Doge Pietro Loredano at the National Gallery of Victoria: the earlier version?
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‘Rembrandt by himself’: a brief history of the Melbourne portrait of Rembrandt by an unknown artist
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Narrative and decoration in Tiwi painting: Tiwi representations of the Purukuparli story
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The art of Frederick McCubbin: a view of his materials and technique
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A souvenir of marvellous Melbourne: W. H. Rocke’s 1880–81 exhibition cabinet
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Prints of fortune: Hubert Herkomer’s 1891–92 etching purchases for the National Gallery of Victoria
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A pioneer of Australian picture framing: an introduction to the work of Lillie Williamson
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Japanese woodblock prints: a mass medium
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The Aspremont Psalter-Hours: the making of a manuscript
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Contributions to the study of the Melbourne Triptych. II: The miracle of the loaves and fishes, The Raising of Lazarus, The Rest on the Flight to Egypt and St Peter
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Albrecht Dürer’s devotional images of the Virgin and Child
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Everard Studley Miller and his bequest to the National Gallery of Victoria
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A surprising ‘discovery’ in the Hamilton Art Gallery: a rare early drawing by Richard Parkes Bonington
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Exploring a fifteenth-century garden: a restoration uncovers the past
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Girl-in-a-Swing factory’s Holy family
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Pair of Chinese figures from Saint Cloud porcelain manufactory
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Félix Nadar’s Alexandre Dumas père
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Noble lady's carriage and a flower cart from Japan, 18th century
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Head covering of the mummy of Pedehorpasheriesi
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Louise Bourgeois's Cell (glass spheres and hands)
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Fibre art by various Yolngu artists from Galiwin'ku
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Miny’tji Buku Larrnggay (Paintings from the East) by various Yolngu artists from Yirrkala
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James Gleeson's The darkening stage
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Albert Tucker's Memory of Leonski
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Obituary: Prof. A. D. Trendall
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John Henry Connell: the man and his collection
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The raw and the cooked: the aesthetic principle in Aboriginal art
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Thea Proctor in London 1910–11: her early involvement with fashion
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Rediscovering Beneath the arena – a major work by Karl von Piloty at the Ballarat Fine Art Gallery
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Zoffany as punster and prankster: some comments on his David with the head of Goliath
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Strangeness and fantasy: notes on nineteenth-century Venetian glass at the National Gallery of Victoria
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A Renaissance reliquary collection in Halle, and its illustrated inventories
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John Peter Russell’s Dr Will Maloney
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Private pleasures: an example of French photographic erotica
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Stephen Procter's The gatherer
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Jacob Jordaens's Mercury and Argus
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Pablo Picasso’s Portrait of a young lady
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White-robed Guanyin in a landscape
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Ceremony; hunting possum and Ceremony; hunting emu
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Paradisus Terrestris entitiled
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The Mayor’s Cup
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Ocean beach, Sorrento
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Summer
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Rembrandt van Rijn: Diana at the bath
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Figure of an athlete
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Doug and Mike Starn’s Sol invictus
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Flowery borrowings: notes on a Dutch still life at the National Gallery of Victoria
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Sérusier’s Boys on a river bank: a technical examination
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Rembrandt etchings on oriental papers: papers in the collection of the National Gallery of Victoria
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The Robert Carl Sticht collection: a forgotten legacy
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The reception of Chinese Buddhist sculpture in the West
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Horses bathing in the sea by Lucy Kemp-Welch (1869–1958): The painting's genesis
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Important painting by twentieth-century French master Pierre Soulages
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Major early landscape by Fred Williams
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Rare watercolours by Edward La Trobe Bateman
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Tang dynasty candlestick with human figure
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Unique pair of Chantilly porcelain figures
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An introduction to the paintings and watercolours by Julian Rossi Ashton at the National Gallery of Victoria
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Horses bathing in the sea by Lucy Kemp-Welch (1869–1958): A close examination
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From old world to new: English and Australian responses to Sir Lawrence Alma-Tadema’s The vintage festival
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George Romney’s sketchbook in the National Gallery of Victoria: the development of a new expressive vocabulary
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The sorcerer's machine: a photographic portrait by Douglas Kilburn, 1847
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A Seventeenth-century Anglo-Venetian vessel, with Dutch engraving, at The National Gallery of Victoria
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The Resurrection of The descent from the Cross : an early-sixteenth-century Antwerp panel is brought out of storage
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A note on dendrochronological analyses of panel paintings at the National Gallery of Victoria
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A turreted berg : an Antarctic photograph by Frank Hurley
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Rare scroll painting from fourteenth-century China
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John Brack's The block
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Important drawing by William Barak
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Early watercolour of an Australian subject
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Major large-scale etching by Lucian Freud
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J. W. Waterhouse’s Ulysses and the Sirens: breaking tradition and revealing fears
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Three Cast Dresses from Hussein Chalayan’s Ventriloquy collection
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Johnny Warangula Tjupurrula: Painting in a changing landscape
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Hugh Ramsay’s Jeanne
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Fred Williams’s Pilbara series
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John Brack’s Self Portrait
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A Minton ceramic by Christopher Dresser
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The owls of Athena: some comments on owl-skyphoi and their iconography
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‘The heroine of all these scenes’: John Constable and the Rebow family in 1816
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Pierre Soulages, the Nouvelle École de Paris, and Painting 202 x 143 cm, 6 November 1967
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Transmission and transformation: The art of imitation in Wang Yuanqi's Fuchun Mountains scroll
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A Bernini self-portrait?
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Thumbs up or Thumbs down? The trials and tribulations of Norman Lindsay’s Pollice verso
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‘The Camera is a Dumb Recording Device’, Robert Rooney and the serial photographs in retrospect
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Tommy McRae’s Sketchbooks
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Tom Roberts’s By the Treasury
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Sidney Nolan’s Footballer
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Taboo or Not Taboo, the fashions of Leigh Bowery
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Enfilade and Intrafilament, the Ian Potter Centre: NGV Australia at Federation Square
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Joy Hester’s Man in cork hat
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Julie Gough’s Leeawuleena
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Jan Nelson’s International behaviour
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Minton’s Clock garniture
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Eyre Crowe’s A sheep shearing match
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Sabi mask
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Leach and Hamada: Bequest of Kenneth Hood
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Tam tam slit-drum
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Malerie Marder Untitled
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Angela de la Cruz’s Loose fit (Blue)
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Giovanni Battista Piranesi’s View of Piazza di Monte Cavallo
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The Madonna of the future O.G. Rejlander and Sassoferrato
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Sassoferrato at the National Gallery of Victoria
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A Nabob’s return: the Pybus conversation piece by Nathaniel Dance
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Fragile memories: Keith Haring and the Water Window Mural at the National Gallery of Victoria
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Finding light in the shadows: the cleaning and restoration of Tiepolo’s The banquet of Cleopatra
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Every thing in its right place
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Zen on life: spirituality in the art of Kim Hoa Tram
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The singularity of occasion Sōami and sixteenth-century Japanese display protocols
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Imperial fashion victims in provincial Egypt: re-dating Egyptian mummy potraits
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The Lord of the jaguar-pelt throne vase
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Christian Dior dressing the National Gallery of Victoria
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Paola Pivi: You started it … I finish it
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Desirable Things, the private collection of Alfred Felton
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Buying for the Future, Mary Woodall and Italian old master paintings
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The Multiple Worlds of Cindy Sherman’s History Portraits
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The Old Man, Mount Fuji and the Sea
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The Last Big Artist in Paris, Bernard Buffet
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The Quick and the Dead, Purchasing Indigenous art 1988–1990
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Kwementyay Kngwarreye's Big yam Dreaming
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Rover Thomas | Dreamtime story of the willy willy 1989
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Stowed Away: Emmanuel Frémiet’s Gorilla carrying off a woman
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Australian idyll: domesticating the Victorian landscape
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Revisiting Canaletto and Panini at Farnborough Hall
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A human, democratic art: three realist artists 1944–1947
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No Form Can Be Spatial, The origins of Lucio Fontana’s Spatial concept
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Obituary: Ursula Hoff, AO, OBE 1909–2005
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Obituary: Bridget Whitelaw, 1950–2004
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Obituary: Emma Devapriam, 1933–2005
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Svayambhu linga
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Charles Blackman’s Feet beneath the table
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Jasper Johns’s Two maps I
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Rei Kawakubo’s Dress
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Bill Henson’s Untitled
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La-sisi malagan canoe
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Peter Kennedy’s One long catastrophe
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Veronese and friends: a technical examination of Nobleman between active and contemplative life
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Framing Nicholas Caire, Fairy scene at the Landslip, Black’s Spur c. 1878
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Phantasy and Myth, Parmigianino’s Huntsman drawing
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Patricia Piccinini’s Desert rider, mountain
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Albert Tucker’s City
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Lola Greeno’s Purmaner
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Nakahara Nantenbo’s The stick of Nantenbo (Nanten staff)
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Elizabeth Fritsch’s Optical vase
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Studibaker Hawk’s Empress
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Lee Bul’s Untitled
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A Symbolic Centenary Sculpture
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To see a world in a grain of sand: a closer look at the ‘Melbourne Blakes’
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Negoro lacquer: the refined beauty and rustic ambience of medieval Japan
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Art of the Table
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A Knight in Shining Armour, a Virgin – Uccello’s Melbourne Saint George and the dragon and Oxford Annunciation
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The Riddle of the Sphinx: An Attic red-figure lekythos
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A Paestan Vase by Python: In memory of Dale Trendall
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A Life Revealed: Emil Todt, a German sculptor in nineteenth-century Melbourne
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Between Beauty and Power: Henry Moore’s Draped seated woman as an emblem of the National Gallery of Victoria’s modernity, 1959–68
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Martin Parr’s Common sense
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John Kasaipwalova’s Sail the Midnight Sun
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Akira Isogawa’s Earring dress
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Wu Zhen’s Bamboo in spring rain
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Ricky Swallow’s Salad days
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Edward Burne-Jones’s Portrait of Baronne Madeleine Deslandes
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John Galliano’s Elvira evening dress
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Obituary: Dr Eric Westbrook, CB 1915–2005
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Shark People: Djapu painting and the Miny’tji Buku Larrŋgay Collection
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A Brush with Fidelity: Three works by Eugène von Guérard
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Embodied Modernism: Visual arts and the aesthetics of Roger Kemp and Rudolf Steiner
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An Orthodox Master and an Individualist: Wang Yuanqi and Daoji
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Paysages de Mer: Courbet’s The wave
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Paris Bordone’s Rest on the Flight into Egypt
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Jusepe de Ribera’s Martyrdom of Saint Lawrence
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Robert Dowling’s Masters George, William, and Miss Harriet Ware with the Aborigine Jamie Ware
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Carlo Bugatti’s Throne chair
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Loretta Lux’s The drummer
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Kiki Smith’s White mammals
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Raising the Flag of Modernism: Ben Nicholson’s 1938
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Military Objectives: Some reflections on the forgotten Second World War artist Louis Duffy
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Depictions of Aboriginal People in Colonial Australian Art: Settler and unsettling narratives in the works of Robert Dowling
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Brook Andrew: Ethical portraits and ghost-scapes
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The Melbourne Finding of Moses: steps towards a new attribution
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Two New Attributions: a Tocqué and a Bellotto in Melbourne
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Edgar Degas’s Portrait of a woman
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Japanese Horse stable
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Maurice Denis’s Amour suite
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Carlo Bugatti’s Chair, from the Snail Room
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Amédée Ozenfant’s Nature morte
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Margaret Preston’s Shoalhaven Gorge, New South Wales
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Boyd Webb’s Wakatipu
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Ron Mueck’s Two women
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Dennis Nona’s Baidam – shark constellation
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Balenciaga’s Sandals
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Bill Viola’s “Ocean without a shore”
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MaterialByProduct’s Outfit comprising couture excesses
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Lanvin’s Dress and Necklace
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Three Perfections: Poetry, Calligraphy and Painting in Chinese Art
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Shelley Lasica, artist profile, Melbourne Now 2013, NGV
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Bridie Lunney, Melbourne Now, 2013, NGV
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Inside Vianne Again, 2013, Melbourne Now, NGV
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Pedro Reyes: Disarm
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Tang Silver bowl
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Relics of Another Age: Art History, the ‘Decorative Arts’ and the Museum
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Josef Hoffmann’s Vase
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A Powerful Appearance of Life: Cornelis de Vos’s Mother and child
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Edward Burne-Jones, Psyche and The Earthly Paradise
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Gavin Brown’s Indian snakes and ladders outfit
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In the Void: Robert Klippel’s Models of Unreason
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Moschino’s Survival jacket and trousers
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Bilda Miburiji Kurrij (Seeing with Far Eyes): The Root of Kaiadilt Women’s Art
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Louise Bourgeois’s Paris Review
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Thomas Struth’s Pergamon Museum IV, Berlin
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Ian Burns’s Down under where …
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Manuel Ocampo’s A painting for a proposed sculpture for a monument to a crucified minimalist sculpture
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Print Works: The Douglas Kagi Donation
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Some thoughts on art and the public arena
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A Processional cross attributed to Bernardo Daddi and his workshop
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Francesco, Giacomo and Giulio Francia Virgin and Child with the young Saint John in a garden of roses
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The Trinitarias carpet: early masterpiece or modern reproduction?
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Saint-Cloud Porcelain Factory Pair of glass coolers
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At the edge of empires: a Biedermeier portrait from Trieste by Jožef Tominc
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Thomas Girtin The stepping stones on the Wharfe, above Bolton Abbey, Yorkshire
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The grim duties of France: Frank Hurley and the Exhibition of Enlargements Official War Photographs
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Mariano Fortuny Coat
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Ian Strange: Suburban
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Unknown dressmaker Wedding outfit
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When the wattles bloom again: The Barak Project
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Tony Tuckson Untitled – yellow
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Jakuchū’s pleasure garden
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Lynne Roberts-Goodwin Al Hammadi Desert Saqar #1 and Al Hammadi Desert Saqar #3
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Precocious style: the Fashion Design Council, 1983–93
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David Noonan Untitled
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Martumili artists Ngayartu Kujarra
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Yang Yongliang Phantom landscape
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Visual Music: Indigenous Masters of Light and Colour
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Kings Over the Water: Jacobite glass in the National Gallery of Victoria
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Kohei Nawa’s PixCell-Red Deer
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Framing the Australian Impressionists in France
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Céleste Boursier-Mougenot: clinamen
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Elemental: the power, diversity and materiality of Indigenous art
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Water, Music and Movement
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Robin Rhode: Rough cut
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Dior and Yamamoto: The New Look
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In search of immortality: provisions for the afterlife
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A masterpiece revealed: Joseph Wright of Derby in Melbourne
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Seeing into the past: an enquiry into the compositional development of Robert Dowling’s Tasmanian Aborigines
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Collecting the forties in the eighties
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Christo and Jeanne-Claude: Wool works at the National Gallery of Victoria
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Japanese Amida Buddha
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James Wallis An Historical Account of the Colony of New South Wales
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Augustus Welby Northmore Pugin Pair of candlesticks
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Edward Burne-Jones and Morris & Co. Saint Paul, window from the Chapel of Cheadle Royal Hospital, Manchester
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Gustave Caillebotte The plain of Gennevilliers, yellow fields
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Arthur Loureiro Marie Therese Smith
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Kanak people Costume mask
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Wassily Kandinsky Small worlds VII
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Linda Jackson Collection of outfits
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Rosalie Gascoigne Flash art
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Rover Thomas Yunurr (Spring Creek)
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Thomas Demand Public housing
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Ricky Swallow The days aren’t different enough nos 1–4
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Rick Owens Outfit
Watch
Double 0 Zilvinas Kempinas
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The solitude of the picture Jeff Wall and Thomas Demand
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Devotion and idolatry: the conflicting purposes of a nineteenth-century Indian deity album
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Robert Buss, The monopolist and Charles Dickens
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The cult of the queen empress: royal portraiture in colonial Victoria
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‘There is no modern furniture!’: Adolf Loos and the Viennese apartment of Jakob and Melanie Langer
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The watershed: Two Decades of American Painting at the National Gallery of Victoria
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Land, loss and identity: art of a great Pintupi lineage
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Sue Ford’s history
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Occupying space with language and text Emily Floyd
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Immersive spaces for paintings Rosslynd Piggott
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Resistance to the exhibition space and discovering new mediums Eko Nugroho
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Rethinking an unknown carte-de-visite
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The figure of William Barak Vernon Ah Kee
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E. Philips Fox: A celebration of colour Curator Talk
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Bertram Mackennal: Beauty to be discovered Curator Talk
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John Brack: Capturing the ordinary Curator Talk
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Grace Cossington Smith: A remarkable story in Australian art Curator Talk
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Frederick McCubbin: The Pioneer Curator Talk
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George W. Lambert: Australia’s first celebrity artist Curator Talk
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Russell Drysdale: The Artist Curator Talk
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Arthur Streeton: Celebrated, praised and loved Curator Talk
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Henry Burn: In search of gold Curator Talk
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John Glover: An English artist painting Australia Curator Talk
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Eugene von Guérard: Nature Revealed
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The Poussin Project