‘Atem’s photographs occupy a space between what we recognise and what we can imagine. Her work combines the intimate and the immense, the ancestral and the celestial.’

Words by Anna Honan and Natasha Bullock

‘The translucent layers of pink evoke tissue, circulation, warmth, something alive, a pulsating surface. And yet the sculpture doesn’t move, doesn’t warm, doesn’t pulse.’

Donna McColm interviews Pamela Rosenkranz

‘Instead of gazing out at the viewer, in the traditional manner of formal portraits, the sitter here looks away to something unseen in her middle distance, one hand resting with arachnid-like precision on the stone bench upon which she is seated, the other resting lightly on her left knee.’

Words by Dr Ted Gott

‘For Snaith, weeds have become a means thorugh which to understand herself as an artist and she extends this into an analogy about the women artists who were never acknowledged in their lifetimes but have since become household names.’

Words by Amita Kirpalani

‘In donating works to the NGV, Isogawa hopes that future generations might study them within a context that values the role of design in contemporary society.’

Words by Danielle Whitfield

‘Preston herself described pulling flowers apart to understand how they were formed, making destructive studies before returning to intact specimens to draw.’

Words by Dr Alastair Robinson