‘The exhibition at the NGV is the perfect occasion to share these unique collections, precious jewels and archival documents with the public.’

Elisha Buttler interviews Pierre Rainero Cartier Director of Image, Style and Heritage

‘As she explains, the exhibition is designed “to tell the many stories of Cartier, as well as the individual histories of the jewels and their wearers”, with colour and material in each space shaping how those stories are experienced.’

By Gemma Savio

‘As he reviewed his work, he thought that this picture showed his strengths as an artist, that you didn’t need to see a picturesque scene of the local landscape. He wanted it to be the essence of the bush and what he thought was so Australian about it.’

Beckett Rozentals interviews Lyn Williams AC

‘These works highlight how individuals negotiate the systems that seek to define, rename or erase them, and how art is used as both a record and resistance.’

By Natasha Bullock

‘It was joyous to be reminded that we as Wiradjuri people still hold Country, and our knowledge of it, and the ancient wisdom coded into it through our songlines.’

By Joel Bray

‘The finding of Moses, however, is an entirely different type of work because it deliberately mimics Veronese’s style so closely that, in Morassi’s words, it ‘should almost have been confused with a work by Veronese’.’

By Carl Villis