Exhibited Loan collection of pictures by painters of the French school, Corporation of London, Guildhall, London, 1898, no.
Exhibited Loan collection of pictures by painters of the French school, Corporation of London, Guildhall, London, 1898, no.
Probably commissioned by the Louis Philippe Marie Alexandre Berthier, 3rd Prince de Wagraam (1836–1911), Paris; his collection, 1896–1910; from whom purchased, through the Prince’s agent
Probably commissioned by the Louis Philippe Marie Alexandre Berthier, 3rd Prince de Wagraam (1836–1911), Paris; his collection, 1896–1910; from whom purchased, through the Prince’s agent
Sold by the artist to Francis Henry Crittall (1860–1935), 1919; his collection, Braintree, Essex and Birmingham, until (c. 1923); by whom sold, to an unknown Bond Street dealer, (
Sold by the artist to Francis Henry Crittall (1860–1935), 1919; his collection, Braintree, Essex and Birmingham, until (c. 1923); by whom sold, to an unknown Bond Street dealer, (
Exhibited Royal Scottish Academy, Glasgow, 1890, no. 250; sold by the artist to Mr and Mrs G.
Exhibited Royal Scottish Academy, Glasgow, 1890, no. 250; sold by the artist to Mr and Mrs G.
Before the advent of the Felton Bequest in 1904, acquisitions for the NGV were limited in funds and narrow in scope.
Before the advent of the Felton Bequest in 1904, acquisitions for the NGV were limited in funds and narrow in scope.
Collection of George Gurney Esq. (d. 1903), Shincliffe, Eastbourne, East Sussex, by 1898–1903[1]; included in the George Gurney estate sale, Christie’s, London, 11 July 1903, n
Collection of George Gurney Esq. (d. 1903), Shincliffe, Eastbourne, East Sussex, by 1898–1903[1]; included in the George Gurney estate sale, Christie’s, London, 11 July 1903, n
Probably acquired from the artist by Victor Chocquet (1821–91); collection of Mr and Mrs Victor Chocquet, Paris, until his death, 1891; by descent to Mrs Marie Chocquet (1837–99, widow of…
Probably acquired from the artist by Victor Chocquet (1821–91); collection of Mr and Mrs Victor Chocquet, Paris, until his death, 1891; by descent to Mrs Marie Chocquet (1837–99, widow of…
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Societe Nationale des Beaux-arts Salon, Paris, 1898 (exhibited after the opening, and thus not included in the catalogue); deposited with Durand-Ruel (dealer), Paris, 24 February 1899 (deposit no.
Exhibited Royal Academy, London, 1879, no. 950; with Arthur Tooth & Sons (dealer), London, 1879; exhibited Winter Exhibition, Arthur Tooth & Sons, Fine Art Galleries, Haymarket, 1879, no.
Exhibited Royal Academy, London, 1879, no. 950; with Arthur Tooth & Sons (dealer), London, 1879; exhibited Winter Exhibition, Arthur Tooth & Sons, Fine Art Galleries, Haymarket, 1879, no.
Through the generous auspices of the Felton Bequest, the National Gallery of Victoria has acquired its first example of Dutch seventeenth-century furniture.
A new examination of the National Gallery of Victoria’s Renaissance Profile portrait of a lady For the past sixty years the National Gallery of Victoria has been home to Profile…
Four x radiographs have been made of this painting.
The reframing of two Turner watercolours in the collection was initially undertaken in preparation for the exhibition: J.M.W.Turner. National Gallery of Australian, 1996.