The Department of Asian Art, National Gallery of Victoria, in recent years has acquired three important Indian paintings and a related drawing belonging to the reign of the Mughal emperor Akbar (r.1556–1605)R

A post-Surrealist game of consequences and sequences followed the meeting of George Baldessin and Imants Tillers at the Sao Paolo Biennale of 1975

When Boccaccio wrote his book, De Claris Mulieribus (Concerning Famous Women) (after 1351), Cleopatra was the epitome of Luxuria, that medieval vice pictured as a bejewelled naked women, the embodiment of extravagant…

If we were not in the presence of the paintings, as we are so appropriately this evening, and were asked to describe the characteristic manner of Fred Williams, we would, perhaps, conjure…

Home again, painted in 1884 by Frederick McCubbin, is the major painting of the artist’s early work (fig.

   According to Henry-Claude Cousseau, Jean Dubuffet went to the Sahara in 1947, 1948 and 1949 hoping to find a new provocation for his work.1 H

Boucher was one of those men who indicate the taste of a century, express, personify, embody it. In him, French eighteenth-century taste was manifest, in all the peculiarity of its character

Among various anecdotes narrated by Pliny the Elder that reveal the illusionistic skills of the Greek painters, the one recounting how Zeuxis was deluded by the drapery painted by his rival Parrhasios…

The artist must be … encouraged to speak freely in the ‘language’ which he feels is essential to him for his self-expression, and we must try to learn the l

The story of Guernica is by now one of the most familiar in the annals of modern art

Towards the close of 1891, Odilon Redon wrote to express thanks to André Mellerio for his friendship, his connoisseurship and the support of his critical energies:  My dear Mellerio, I got home yesterday,…

   This Melbourne painting (fig. 1)* belongs to a group of pictures by Fuseli depicting episodes in the life of Milt

A figure study by Camille Pissarro recently acquired by the National Gallery of Victoria is not only the first drawing by this major draughtsman of the second half of the 19th century…

Sir Jacob Epstein’s reputation as a sculptor rests chiefly on his prolific output of exuberant and expressive portraits and, to an extent, has been consolidated by the frequent controversy attending the realisation…

In December 1982, The Art Foundation of Victoria purchased a group of 19th century photographs, including some large calotypes (from waxed paper negatives) by Dr John Murray and Captain Linnaeus Tripe, of…