EXHIBITION TIMES: Sat-Sun, 23-24 Mar, 10AM-5PM PUBLIC TALK: Sat 23 Mar, 2-3PM Curated by Georgia Nowak and Eugene Perepletchikov, Jack’s Magazine is explored through an exhibition that uncovers Victoria’s complex geological…

Join a panel of experts as they explore the ways in which clever design can contribute to community connection, resilience and social inclusion.

Designing Australasian futures means designing between cultures and with Indigenous communities.

LAUNCH: SAT 9 MAR, 2–4PM This exhibition runs 9 MAR – 28 APR, 10AM–5PM Undercurrent is a solo exhibition by Bangerang artist Peta Clancy, featuring a series of photographic works created…

Possum-skin cloaks are of enormous cultural value to Aboriginal people in South East Australia.

In 2017, the NGV acquired eight works by the late Barrupu Yunupingu, which represent different conceptualisations of the Gumatj Fire Dreaming, sacred to her identity.

Letgo room, 2015, is a major site-specific installation by leading Chinese artist, activist and public intellectual Ai Weiwei.

First published in 2018 by The Council of Trustees of the National Gallery of Victoria 180 St Kilda Road Melbourne, Victoria 3004, Australia ngv.vic.gov.

As an ambitious publisher, the National Gallery of Victoria invests in unique and extensive scholarship on Australian, international and Indigenous art.

Established in 2011, Broached Commissions is a creative agency whose purpose is to commission designers to produce ambitious, finely crafted, collectable design pieces with the capacity to reflect on or…

The NGV’s Designing Women exhibition highlights the ongoing role of female designers as a dynamic and critical force in shaping contemporary design practice and cultur

From Bark to Neon: Indigenous Art from the NGV Collection celebrates Indigenous art in Australia.

Colony: Frontier Wars explores the period of colonisation in Australia from 1788 onwards and its often devastating effects on First Peoples.

Artists, leaders and mavericks, William Barak and Tommy McRae bore the burden of ‘the colony

The contained body is not. It splits across histories and spaces of relationality. It is perceived, described, subjective, communicated, maintained, instrumentalised.