The NGV Collection of British eighteenth-century paintings has long been recognised as one of its greatest strengths.
Learn the story behind modernist Australian painter Grace Crowley’s Portrait (1939), including the incredible discovery of a second painting, uncovered by conservators during treatmen
Bouteiller’s exquisite portrait depicts friend and artist Césarine de Houdetot, both were French women born outside of Fran
Explore the many aspects of motherhood, from tenderness and nurturing, to perseverance and grief, in a visual journey of works in the NGV Collection including Cornelis de Vos’s Mother and…
Danielle Whitfield, Curator, Fashion and Textiles, and Susan van Wyk, Senior Curator, Photography, share their perspectives of a dress that first found its way into the NGV Collection via a…
In 2017 the National Gallery of Victoria acquired an important portrait from the French Romantic period by a recently rediscovered artist, Louise Bouteiller.
To speak of magic as a distinct sphere of activity, divorced from other aspects of life, both spiritual and practical, is to impose a modern construct over what, to the…
Levels 3-6 In this activity students will explore the theme of urban Australian life by examining Collins Street, 5p.m., 1955, by artist John Brack.
Friday 3 April: The National Gallery of Victoria is delighted to launch a new four-part virtual series of its popular Drop-by Drawing
Tuesday March 31: The National Gallery of Victoria has launched dedicated online activities for children and families, and a suite of learning resources for students and teachers to utili
The National Gallery of Victoria has launched an audio and video series to accompany the She Persists publication, alongside essay excerpts from the book, in a newly dedicated
The National Gallery of Victoria has opened its State collection and programming virtually to offer the public access to the NGV Collection during the temporary closure of the Gallery
Local artist Minna Gilligan explores hero works from our twentieth century galleries, including Andy Warhol’s Self-portrait no. 9 and David Hockney’s The second marri
In 1908, English-born, Paris-based artist Gwen John took a job as an artist model for the Swiss-German painter Ottilie Roederstein.
Although Sonia Delaunay and Harriet Whitney Frishmuth never met, if they had they would have found much in common. Both artists were highly educated, multilingual and visually astute.