Since 2002, David and Anita Angel have gifted to the NGV over 100 contemporary Indigenous works, which are displayed together for the first time in Artist’s Hand: Collectors’ Eye: The…

Lisa Reihana’s in Pursuit of Venus is a two-channel, live-action video that is inspired by the colonial nineteenth century panoramic wallpaper, Les Sauvages de la Mer Pacifique (1804–05), produced by…

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

The ochre colours, patterning and flat pictorial space reveal Preston’s deep admiration for Indigenous ar

Lorraine Connelly-Northey was born and grew up in Swan Hill, Wadi Wadi and Wamba Wamba terrain, in Victoria, south of her mother’s Waradgerie Country, disconnected from mainsprings of culture, language…

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

Dulka Warngiid is a brilliant conceptual vision of Bentinck Island, Queensland, anchored in the contributors’ deep attachment to seven distinct story places on their tiny islan

In the mid 1920s Margaret Preston embarked upon a campaign to establish a national Australian art based on the Indigenous art of Australia.

The NGV’s nineteenth-century shields from south-eastern Australia are visual puzzles whose early history and iconography are unknowabl

A geometric framework underpins most of Eugene von Guérard’s works, but nowhere more dramatically than in Tea trees near Cape Schanck, Victoria, where the artist made effective use of the…

HJ Wedge sees and paints with the intensity of childhood.

John Glover was a succesful painter in England prior to emigrating to Tasmania at the age of sixty-four.