Takahiro Iwasaki is recognized as one of Japan’s new generation of emerging young artists, who creates intricately detailed models that reinterpret contemporary cityscapes and iconic historic buildings. The Reflection Model series focuses on seven of Japan’s most sacred buildings that all have an intimate visual relationship with the reflections they cast in the water that surrounds them.
Commissioned by the National Gallery of Victoria, the third and largest work in the Reflection Model series takes as its subject the Shinto shrine of Itsukushima, located on the tidal flats of Japan’s Inlan
For many, the streamlined aesthetic of Scandinavian design, with its functional but humanist qualities and truth to materials, epitomises twentieth century modernism. Drawing on the NGV’s rich collection of Nordic design, much of which was acquired in 1952 by the Felton Bequest, this exhibition celebrates an iconic organic aesthetic that is arguably defined by the principles of Finnish architect and designer Alvar Aalto, from the early twentieth century. The exhibition looks at the period of the 1920s to 1960s and will showcase leading manufacturers and their designers, encompassing ceramics, glass, silver, furniture, textiles and lightin
Takahiro Iwasaki is recognized as one of Japan’s new generation of emerging young artists, who creates intricately detailed models that reinterpret contemporary cityscapes and iconic historic buildings. The Reflection Model series focuses on seven of Japan’s most sacred buildings that all have an intimate visual relationship with the reflections they cast in the water that surrounds them.
Commissioned by the National Gallery of Victoria, the third and largest work in the Reflection Model series takes as its subject the Shinto shrine of Itsukushima, located on the tidal flats of Japan’s Inlan
Visit our newly refurbished Asian art galleries dedicated to displaying the art and culture of Chinese, Japanese and South and Southeast Asia.
Thanks to the support of the Felton Bequest, The Art Foundation of Victoria, the Supporters of Asian Art and many generous donors, the NGV’s Asian Art collection has grown to be one of the most revered collections in Australi
The Cicely & Colin Rigg Contemporary Design Award is a generous legacy of the late Colin Rigg (1895-1982), a former Secretary of the Felton Bequests’ Committee. This ‘Award of Excellence’ focuses on contemporary design practice in the state of Victoria and is a reflection of the NGV’s continuing support for and commitment to contemporary design. It is arguably the richest and most prestigious prize ever offered to a contemporary designer in Australia, with a prize of $30,000. Held every three years, each exhibition is devoted to a particular design discipline. The past five exhibitions, in 1994, 1997, 2003, 2006, and 2009 represented ceramics, metalwork, textiles, jewellery and furniture design respectively. In 2012 the exhibition is dedicated to vessels and the notion of containment.
The Cicely & Colin Rigg Contemporary Design Award is generously supported by the Cicely & Colin Rigg Bequest, managed by ANZ Trustees.
The National Gallery of Victoria congratulates Marian Hosking as the recipient of the 2012 Cicely & Colin Rigg Contemporary Design Award for her work Clearin
PROJECT Best known for his large-scale bronze figures, British artist Thomas J Price creates contemporary monuments that echo the characteristics of Classical statuary.
Australian-born Ron Mueck has been creating hyper-realistic, figurative sculptures since his debut as an artist in 1997.
Visions of Paradise presents the NGV’s internationally important holdings of Indian court paintings and takes exhibition visitors on a journey to the opulent palaces, sumptuous lifestyles and cultural activities of…
Katsushika Hokusai is regarded as one of the most influential and creative minds in the history of Japanese art.
A modern art movement originated at Papunya in 1971, which has since transformed the way we see the land and the history of art in Australia. Almost forty years after the genesis of the Western Desert art movement, its epicentre has dramatically shifted from Papunya in the Northern Territory to the Pintupi homelands of Kintore and Kiwirrkura in the Gibson Desert, and to communities that lie hundreds of kilometres to the south and west in far-flung reaches of South Australia and Western Australia (the Far Western Desert).
Established to support Victorian artists, this award is arguably the most prestigious of its kind in Australia. Exhibitions associated with the award are devoted to a particular design discipline: this year’s exhibition highlights new work created within the textile mediu
Established to support Victorian artists, this award is arguably the most prestigious of its kind in Australia and a reflection of the NGV’s ongoing commitment to contemporary craft and design practice. Exhibitions associated with the award are devoted to a particular design discipline: in 2006 the focus is on jeweller
Established to support Victorian artists, this award is arguably the most prestigious of its kind in Australia and a reflection of the NGV’s ongoing commitment to contemporary craft and design practice. Exhibitions associated with the award are devoted to a particular design discipline: in 2009 the focus is on seat furniture desig
The definition of lace is a decorative or openwork fabric made up of spaces and worked areas formed by fine threads. Still present in contemporary life from fashion to homewares, lace first originated in sixteenth century Europe. It began with the development of two distinct types of work – needle lace and bobbin lace. These two techniques, relying on fine handwork for the first three centuries, produced some of the most luxurious and coveted forms of textiles ever create