Join guest curator Christine Elias as she explores glass making techniques and design concepts including blown, cast and mold formed, core and rod created, slumping and mosaics from ancient times…
The National Gallery of Victoria has an opportunity to become the first public collection in Melbourne to acquire a painting by Surrealist artist Salvador Dalí, and is launching a campaign…
Rirkrit Tiravanija’s Untitled (lunch box) is a conceptual work that involves inviting randomly selected visitors to share a Thai takeaway meal in the gallery spac
…she’s driving the ks between states hoping her state of mind will chang
In the aftermath of September 11 world leaders addressed their respective nations as if they were bodies under threat, and hastened in new laws to bolster border protection and ‘securitise’…
In maps that visualise irregular movement of people across European borders, clusters of arrows point from the south to the north.
Ingres Jean-Auguste-Dominique, Jeanne d’Arc au sacre du roi Charles VII dans la cathédrale de Reims, 1854, Musée du Louvre, Paris Jeanne d’Arc (Joan of Arc) is not simply one of…
In 2014 Kehayoglou carpeted the runway for Belgian fashion designer Dries Van Noten’s spring–summer 2015 Paris show, and the commission led to collaborations with French fashion brand Hermes and Danish…
Bartlebooth monument presents the conclusion to an unfinished fictional project described in the novel Life, A User’s Manual (1978) by French writer Georges Pere
Melbourne-based furniture and interior designer Chris Connell has been a driving force in the Australian design scene since the 1990s.
Pascale Marthine Tayou creates large, colourful installations and sculptures that explore travel and the effects of globalisation.
Giambattista Pittoni was, along with Giambattista Tiepolo, one of the leading painters of Venice in the eighteenth century.
Exhibited Loan collection of pictures by painters of the French school, Corporation of London, Guildhall, London, 1898, no.
With French Gallery (dealer), London, c. 1876–1884; brought by Henry Wallis, French Gallery proprietor, to Melbourne for exhibition, 1884; from where purchased for the NGV, 188
A French Empire style classical revival frame in good original condition.