This frame is in the form of Louis XIV revival frames made up from composition decorative work on a wooden base.

This frame is in the form of Louis XIV revival frames made up from composition decorative work on a wooden base.

This frame is in the form of Louis XIV revival frames made up from composition decorative work on a wooden base.

This frame takes the form of a French Rococo double frame. These frames are characterised by swept edges on the face and back of the frame.

This frame is in the form of Louis XIV revival frames made up from composition decorative work on a wooden base.

This frame takes the form of a French Rococo double frame. These frames are characterised by swept edges on the face and back of the frame.

The earliest images we have of the framing of Streeton Near Heidelberg, 1890, acquired in 1943, shows a composition frame in the style of Louis XIV carrying a John Thallon…

The former framing of Flowerpiece (1417-4) was in the manner of eighteenth century French frames, a Louis XIV style using gilded composition ornament on a wooden base.

French psychoanalyst Jacques Lacan’s theory of manque (lack) – the opposite of presence – although not ‘feminist’, allowed a new engagement with Sigmund Freud and provided the language for a…

In the series I am the rehearsal master, Anne Ferran re-creates the photographic catalogue produced by French neurologist Jean-Martin Charcot, who performed extensive research into hysteria – a term no…

La Joconde is the French title for Leonardo da Vinci’s painting Mona Lisa, c. 1503–06 (The Louvre, Par

Using varied visual references and strategies of pastiche, Juan Davila’s work makes a complex commentary on social politic

The nineteenth century in Europe was characterised by a series of revivals of historical ornamental styles.

Philippe Starck’s Louis ghost chair is made from transparent and batch-dyed polycarbonate and, in its time, was one of the most daring examples of injected polycarbonate from a single mould…

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