The frame on Ribera’s The Martyrdom of St Lawrence (1620-24) (acquired 2006) is believed to have been made for a former owner of the painting Count Anatole Nikolaievich Demidov (1813-1870)…

Zoffany Self-portrait as David with the head of Goliath, 1756, arrived from New York after purchase in 1994, fitted with an eighteenth century English carved timber frame.

Meyer Daniel Altson’s Winged words, portrait of the artist’s wife, 1926, came into the collection with this frame in 1967 which has the Rowley label on the reve

The pair of paintings by Joseph Wright of Derby that came into the collection in 2009 as a gift from one of the painters descendants living in Melbourne, came with…

The pair of paintings by Joseph Wright of Derby that came into the collection as a gift in 2009 from one of the painters descendants living in Melbourne, came with…

The portrait of Sir John Rous, 1st Baronet of Henham Hall by Peter Lely came into the collection with this frame which carries the label of E.F.

NGV International | 2 June – 8 October 2017 | Free Entry From the tranquil smile of an enlightened icon to the widely recognisable laughing Buddha, nine iterations and cultural…

The Rt Hon. John Rous, 6th Baronet, later first Earl of Stradbroke in Suffolk Yeomanry Cavalry Uniform came into the collection in 2010 with a Carlo Maratta style frame.

Lady Rous née Charlotte Maria Whittaker, second wife of the 6th Baronet, later, Earl of Stradbroke came into the collection in 2010 with a Carlo Maratta style frame

The reframing in 1955 of Tiepolo’s, The Banquet of Cleopatra, 1743 (acquired in 1933) is possibly the earliest re-framing project in the eighteenth century collectio

Few picture frames generate as much interest as the early eighteenth-century French frame currently surrounding Poussin’s Crossing of the Red Se

Three frames have been used for Rembrandt Portrait of a white haired man, 1667.

A group of people stand in an empty gallery. The house lights are on and the walls are bare. There is no art on display.

Brook Andrew: The Right to Offend is Sacred will bring together more than 100 works by an Australian artist well known for reinterpreting colonial and modern history and offering alternative…

A major exhibition at the National Gallery of Victoria will celebrate and explore one of humankind’s most complex emotions, love, as seen through the eyes of European artists from 1400…