Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research.
Framers in Focus: A series of essays on 19th century Melbourne frame makers produced by the NGV Centre for Frame Research. W. J.
Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research.
Framers in Focus: A series of essays on 19th century Melbourne frame makers produced by the NGV Centre for Frame Research.
Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research. A contemporary of Isaac Whitehead, W.R.
Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research.
Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research. In the 1850’s John MacLachlan, along with R.
Framers in Focus: A series of essays on 19th century Melbourne frame makers, produced by the NGV Centre for Frame Research. Richard Foster Norton, also known as R.
Framers in Focus: A series of essays on 19th century Melbourne frame makers produced by the NGV Centre for Frame Research.
Big stories run through the exhibition Big Weather and other works in the NGV Collection, serving as a reminder of our reciprocal relationship with the weather, as well as the…
In this engaging portrait by Mary Beale an elegant young woman with long flowing hair stares seductively out at the viewer, one curled tress of hair adorning her left shoulder….
A gifted young artist, William Rothenstein enrolled at London’s Slade School of Art in 1888 at the age of sixtee
Krystyna Campbell-Pretty has made significant contributions to the NGV’s historic holdings of accessories with bags from the nineteenth century, including Bag, c.182
To speak of magic as a distinct sphere of activity, divorced from other aspects of life, both spiritual and practical, is to impose a modern construct over what, to the…
In 1908, English-born, Paris-based artist Gwen John took a job as an artist model for the Swiss-German painter Ottilie Roederstein.