After studying painting and drawing in Melbourne, in 1979 Peter Schipperheyn furthered his studies at the Academie di belle Arti Carrarra in Italy.
After relocating to Australia with his wife Patricia and young family, Richard Larter came to prominence during the 1960s with his colourful and confronting Brit-Pop works.
Collection of Paul Jean Cels (c.
The culmination of a three-year expedition through the conflicted and war-torn landscape of the Democratic Republic of Congo, Richard Mosse’s The Enclave is an immersive, maze-like film installation depicting the…
Pop culture images and everyday objects take on new meaning in Pleasure & Reality, a new group exhibition that will see five Australian artists subvert reality and create the unexpected….
The Farm Security Administration was a United States government agency that commissioned, collected and published documentary photographs between 1935 and 1946.
David Goldblatt’s photographs from the 1970s and 1980s form a striking portrait of the inequities faced in South Africa under the rule of aparthei
Collection of Protheroe (?), until 1810; included in the sale of property of the 6th Earl of Coventry and others, Christie’s, London, 16-17 February 1810 (sold 17 February), n
Commissioned by Count Andrey Kyrillovich Razumovsky (1752–1836) in 1776, and kept in the Palais Razumovksy, Vienna until
With J. B. van den Bergh (dealer, d. 1833), AmstEarly and Modern Dutch painterserdam, by 1833; probably J. B. van den Bergh sale, Amsterdam, 15 July 1833, no.
In 1847 the English-born photographer Douglas Kilburn opened Melbourne’s first commercial photographic studi
31 July 2015 – 8 November 2015 | NGV International | Admission fees apply More than 400 works from the personal collection of Catherine the Great will travel to Australia in…
What a marvellous invention man is! He can blow on his hands to warm them up, and blow on his soup to cool it down.
When E. Phillips Fox returned to Melbourne in late 1892 after five years studying and working in France, he encountered a city in the grip of economic depression.
There is something familiar yet unsettling about Yvonne Todd’s Approximation of Tricia Martin, 200