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Frame detail for Tom ROBERTS Portrait of a young girl 2922
The frame represents a merging of Louis XIV and “Lawrence” styles. It might more reasonably be found on a work from the first half of the 19th century
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Colourmen for Portrait of George C. Beresford (ORPEN, Sir William)
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Colourmen for Portrait of a Man (McCUBBIN, Frederick)
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Colourmen for Portrait of an Aborigine (NERLI, Girolamo)
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Colourmen for Sketch Portrait of Miss Elmhurst Goode (COATES, George)
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Colourmen for Portrait of the Artist’s Wife (BUNNY, Rupert)
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Colourmen for Portrait of a French Officer (BUNNY, Rupert)
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Colourmen for Self Portrait (BUNNY, Rupert)
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Colourmen for Self portrait (full length in dressing gown) (RAMSAY, Hugh)
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Colourmen for Portrait of my cousin (FOX, Emmanuel Phillips)
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Colourmen for Portrait of Mrs. E. P. Reed (LAMBERT, George)
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WOTW label for Joseph Wright, Self Portrait
Joseph Wright of Derby chronicled his personal and professional life in a group of insightful self-portraits.
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Joseph Wright of Derby Self-portrait 1765-68
Joseph Wright of Derby chronicled his personal and professional life in a group of insightful self-portraits.
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Frame detail for William ROSSEnglish 1794–1860Portrait Of Lady Margaret Grosvenor (c. 1837–1857)watercolour on ivory22.0 x 160.0 cm (image)Gift of John H Connell, 1914 (665-2)
This frame is large in scale for a miniature but it reflects a taste for presenting larger format miniatures in the manner of oil paintings.
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Andy Warhol purposely sought an alternative to the emotionally charged paintings of the Abstract Expressionists by adopting a commercial, hands-off approach to art.
Extended Label for Andy WARHOL : Self-portrait no. 9
Andy Warhol purposely sought an alternative to the emotionally charged paintings of the Abstract Expressionists by adopting a commercial, hands-off approach to art.