Harden Sidney MELVILLE<br/>
<em>Torres Strait Canoe and five men at the site of a wreck on the Sir Charles Hardy Islands, off Cape Grenville, North East Australia</em> 1874 <!-- (recto) --><br />

oil on canvas<br />
74.0 x 125 cm 105.0 x 155.0 cm (framed)<br />
National Gallery of Victoria, Melbourne<br />
Warren Clark Bequest and Ruth Margaret Frances Houghton Bequest, 2020<br />
2020.686<br />

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Australian Art Histories: Four-Week Course

From
Thu 12 Jun, 6pm–8pm

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Harden Sidney MELVILLE
Torres Strait Canoe and five men at the site of a wreck on the Sir Charles Hardy Islands, off Cape Grenville, North East Australia 1874
oil on canvas
74.0 x 125 cm 105.0 x 155.0 cm (framed)
National Gallery of Victoria, Melbourne
Warren Clark Bequest and Ruth Margaret Frances Houghton Bequest, 2020
2020.686
Emmeline PRITCHARD
Botanical Gardens, Melbourne 1874
oil on canvas
37.0 x 44.7 cm
National Gallery of Victoria, Melbourne
Gift of Krystyna Campbell-Pretty AM and Family through the Australian Government's Cultural Gifts Program, 2024
2024.6
Arthur STREETON
'The purple noon's transparent might' 1896
oil on canvas
123.0 x 123.0 cm
National Gallery of Victoria, Melbourne
Purchased, 1896
33-2
William Barak
Untitled (Ceremony) 1900
earth pigments, watercolour and pencil on paper
50.5 x 63.0 cm (image and sheet)
National Gallery of Victoria, Melbourne
The Warren Clark Bequest, 2001
2002.31
Hilda Rix NICHOLAS
In Picardy (c. 1914)
oil on canvas
61.2 x 51.1 cm
National Gallery of Victoria, Melbourne
Felton Bequest, 1918
888-3
© Bronwyn Wright
Grace Cossington SMITH
The Bridge in-curve (1930)
tempera on cardboard
83.6 x 111.8 cm
National Gallery of Victoria, Melbourne
Presented by the National Gallery Society of Victoria, 1967
1765-5
© Estate of Grace Cossington Smith
Russell DRYSDALE
The rabbiters (1947)
oil on canvas
76.6 x 102.5 cm
National Gallery of Victoria, Melbourne
Purchased, 1947
1762-4
© Courtesy Russell Drysdale Estate
Virginia CUPPAIDGE
Estuary 1971
synthetic polymer paint on canvas
197.5 x 304.5 cm
National Gallery of Victoria, Melbourne
Gift of the artist through the Australian Government’s Cultural Gifts Program, 2018
2018.312
© Virginia Cuppaidge

The Ian Potter Centre: NGV Australia, Fed Square

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Booking required

$370 Members / $400 Non-Member / $385 Concession, Student & Educator
+ $5.50 Booking Fee

General enquiries

Ph +61 3 8620 2222
ngvenquiries@ngv.vic.gov.au
9am–5pm, daily

Are you interested in learning something new, gaining fresh perspectives on Australian art history, and immersing yourself in the NGV Collection?

Over four evening sessions, NGV curators and specialist staff and educators guide participants through Australian art histories, from a variety of perspectives.

With the NGV Collection of Australian and First Nations art and design at the heart of the course, participants will consider Australian art history in broad contexts through richly illustrated presentations, in-gallery tours, interactive activities and facilitated group discussions.

The course will consider Australian art in context with important First Nations art histories, examine Australia’s long history of artistic migration and global connectivity, and introduce the key artists and socio-historical events that helped shape the diverse and rich cultural landscape that we know today.

WHAT WILL THE COURSE COVER?

This course covers a broad overview of art on this continent up until the late twentieth-century.

From rich histories of travel and cultural trade that existed prior to British colonisation, to the early decades of colonialism – participants will examine the arrival of professional painters such as John Glover and Conrad Martens and the impact of the discovery of gold on the Australian artistic landscape.

Participants will engage with ideas about the ways that artists responded to the specific social context in Australia, as well as how international art movements impacted Australian artists, both here and abroad. Sessions will provide opportunities to closely study leading figures such as Tom Roberts, Frederick McCubbin and Clara Southern, as well as those pioneering the movement of Modernism in Australia, including Margaret Preston, Grace Cossington-Smith and Grace Crowley.

Unpack the contribution of Australian artists to the Surrealist movement, as well as the passionate debate over abstract and figurative art that ensued in Australia in the 1950s and 1960s with artists responding to international stylistic movements such as colour field and hard-edge abstraction.

Attention will also be paid to First Nations artists in the 1960s such as Walter Tjampitjinpa and Mick Wallangkarri Tjakamarra, whose intimate and expansive knowledge of Country and attunement to the rapidly shifting art market across Australia gave way to internationally acclaimed art movements such as the Hermannsburg Watercolours and the Papunya Tula.

WHEN IS THE COURSE?

This course will run on Thursday evenings from 12 June – 3 July, 6–8pm.

WHAT WILL THE COURSE INVOLVE?

The course will include curator-led talks and tours introducing key ideas, themes, and works in Australian art with a focus on the NGV’s Collection of First Nations and Australian art. These sessions will be complemented by educator-led group discussions and activities, including different approaches to analysing and interpreting works of art, that will provide opportunity for participants to actively engage with the ideas explored in the course.

Sessions are held in the NGV’s learning spaces and galleries and take place after-hours to provide an exclusive and intimate learning experience.

No prior knowledge or experience is required.

A prescribed reading and resources list will be provided to course participants as part of the course materials, providing links to a curated selection of books, articles and videos to extend your learning.

PRICING

$370 Members / $400 Non-Member / $385 Concession, Student & Educator
+ $5.50 Booking Fee

Enrolment includes access to all four weeks of the course, with all course materials provided. A prescribed reading and resources list will be provided to course participants as part of the course materials, providing links to a curated selection of books, articles and videos to extend your learning.

INFORMATION FOR TEACHERS & EDUCATORS

Australian Art Histories: Four-Week Course offers an inspiring and creative professional learning opportunity for teachers of all levels and subjects. This Four-Week Course meets the following AITSL standards:

  • Know the content and how to teach it (2.1)
  • Engage in professional learning (6.1)
  • Engage professionally with colleagues, parents/carers and the community (7.4)
  • A certificate of professional learning is available on request.


    This course is part of NGV Art School, offering online courses, in-person courses, talks and livestreamed events to support avid learners of all ages to confidently embrace the world of art, design and ideas.

    Courses Australia NGV Collection