In Jessica’s visual diary there is extensive brainstorming about the conceptual possibilities, use of materials and techniques, subject matter and artistic influences.
Jessica uses her own photographs as a starting point for research about Tibetan Prayer Flags. This is then used to develop an exploration using acrylic paint, clearly stated in an aim at the top of the page. This is then carefully documented using written and visual information.
The annotations provide evidence of critical and creative thinking about the studio process.