Movement
By definition, movement suggests a condition of dexterity, mobility, flux, journey, and transition. Movement’s instinctive opposite is static, paused. This suggests that things that are moving must be placeless, without tangible roots or anchorage – yet the opposite can be true. Many things move within defined patterns, shifting only to return to their point of origin, or shifting physically while non-physical threads remain – memory and resonance.
In contemporary life, movement is a recurring character, an economic and political reality, perhaps an obsession. Movement is closely analysed and broadcast, and we scrutinise the movement of everything, from people to resources, borders, geographies and systems.
The movement of people in particular is not a new phenomenon, but is occurring today in unprecedented numbers. Whether it is economic promise of another place, persecution and conflict or the changing face of the environment, a range of factors has led to over 65 million people in the world being displaced according to the UNHCR (or one in every 113 people globally). The enormity of this, and the resulting militarisation of borders, has led to a philosophical, cultural and political crisis around the world as the politics of mobility are both debated and experienced firsthand by more than ever before.
Movement has and will always exist. In this current context it can be unsettling, even terrifying but movement, still, can represent something that is essential, graceful, fulfilling, and sustaining. Nature, humanity, ideas, the world within and beyond us. It is a defining characteristic of life.
Article
Pleasure Garden
BY Genevieve Lacey
THEME LEADER Jane Davidson
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Genevieve Lacey is a recorder virtuoso, serial collaborator and artistic director, with a significant recording catalogue and a career as an international soloist. As part of Triennial Voices, Genevieve Lacey has contributed audio files of her work in Pleasure Garden – a listening garden inspired by the story and music ...LEARN MOREArticle
Motion fearness
BY Nikos Papastergiadis
THEME LEADER National Gallery of Victoria
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Nikos Papastergiadis on the challenges of global mobility and hospitality.LEARN MOREArticle
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BY Karina Horsti
THEME LEADER Nikos Papastergiadis
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
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BY Arnold Zable
THEME LEADER Nikos Papastergiadis
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
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BY Arnold Zable
THEME LEADER Nikos Papastergiadis
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Behrouz Boochani is a Kurdish journalist, human rights activist, poet and filmmaker who us currently detained on Manus Island. Arnold Zable speaks to Boochani about his experiences.LEARN MOREPodcast
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BY Laura Woodward
THEME LEADER Jane Davidson
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Laura Woodward focuses her research on the potential of system-based kinetic installations. These systems, often powered by water, develop through the relationships between materials, movement, time and the artists’ hands, with the system’s inherent logic driving its formal and systematic emergences. The works tease out considerations of agency within systems, ...LEARN MOREPodcast
Motion Capture
BY Matthew Delbridge
THEME LEADER Jane Davidson
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Matthew Delbridge works in motion capture, which is used in the animation and film industry to create movement and action for digital characters. His research includes actor training, motion capture, performance technologies, animation, theatre history, cultural heritage, scenography, technology studies and production processes. He is involved in developing the recording ...LEARN MOREArticle
A letter to my father
BY Daniella Trimboli
THEME LEADER Nikos Papastergiadis
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Daniella Trimboli shares an intimate letter to her father about culture, politics, life and family expectations.LEARN MOREPodcast
Passion, Lament, Glory
BY Jane Davidson
THEME LEADER The National Gallery of Victoria
SUPPORTED BY University of Melbourne, as part of the NGV Triennial – exploring the emerging intersections of art, design, science and society.
Jane Davidson investigates the aspect of movement within performance and music. Her contribution to NGV Triennial Voices is a full-length video of Passion, Lament, Glory, a live performance that took place at St Paul’s Cathedral in Melbourne in 2017. The work offers a dramatic movement-based representation of Baroque religious music ...LEARN MORE