High tide mark
2016
- Medium
- oil on canvas
- Measurements
- 170.5 × 160.4 cm
- Place/s of Execution
- Sydney, New South Wales
- Inscription
- inscribed in blue fibre-tipped pen on reverse u.c.l.: B Quilty 2016
inscribed in blue fibre-tipped pen on reverse u.c.r.: High Tide Mark - Accession Number
- 2016.416
- Department
- Contemporary Art
- Credit Line
- National Gallery of Victoria, Melbourne
The John McCaughey Memorial Prize Trust, 2016
© Courtesy of the artist and Tolarno Galleries - Gallery location
- Not on display
- About this work
-
Ben Quilty’s paintings invite viewers to consider current social and political issues. The impasto-style painting High tide mark, 2016, was the result of the artist travelling that year to Greece, Serbia and Lebanon to witness firsthand the global refugee crisis. On a beach in Lesbos, Quilty observed a ‘high tide mark’ of bright orange life jackets, discarded by Syrian asylum seekers as they reached the shore after making the perilous journey across open ocean from Turkey. In Quilty’s words, the vest symbolises the ‘ocean of humans that have moved across those waters’, themselves dislocated and dispersed like the cast-off jackets.
- Subjects (general)
- Costume Marines and Seascapes Utilitarian Objects
- Subjects (specific)
- emigration life jackets orange (colour) perils refugees suffering
- Movements
- Contemporary (style of art)
