The Island IV reimagines, magnifies and renders fantastical a previously little-known photographic reproduction of an etching by Wilhelm von Blandowski of a men’s ceremony of the Nyeri Nyeri people of the Murray-Darling region of southern New South Wales. Brook Andrew’s gigantic screenprint parodies Blandowski’s grotesque misunderstanding of the customary ritual of tooth evulsion as a lurid blue reflective myth-scape invaded by crudely drawn ‘savages’ – whom Blandowski described as ‘writhing and convulsing in the dust’.