In his paintings and sculptures, Chase Hall uses innovative materials and techniques to highlight racial inequalities that are part of America’s past and present. Hall is recognised for his unique visual language and use of coffee as a pigment on unprimed cotton canvases – both materials that are intrinsically connected to the history of transatlantic trade. Based on an archival photograph, this diptych captures a congregation at a Baptist conference. The work exemplifies the way Hall achieves tonal and textual variation through different levels of coarseness of the coffee pigment, which is contrasted against purposefully exposed sections of raw canvas.