A Taste of a Poison Paradise takes its name from the 2003 Britney Spears’s song Toxic and draws inspiration from Dutch still-life paintings. The painting’s explosion of petals is built up with layers of loose, nearly transparent brushstrokes applied over a period of several months. The effect is something between abstraction and figuration; a flower captured not in its perfect blooming, but in flux, suspended in the airless moment between two breaths. Yukhnovich’s choice of flower painting as a subject matter and pop culture as a filter is deliberate. Both have historically been coded ‘feminine’ and, it follows, regarded as frivolous and low brow. Yukhnovich’s critical exploration of these subjects is a radical attempt to treat seriously culture previously deemed inconsequential.