Janet Burchill references the sculpture The blind leading the blind, 1941–48, by American artist Louise Bourgeois, in this work. In Bourgeois’s sculpture, a double row of slender legs evokes traumatic childhood memories of events she witnessed from beneath the family dining table. In Burchill’s version, Bourgeois’s tapered legs are replaced with upturned picket-fence palings – a suburban ‘readymade’ material. Made upon Burchill’s return to Australia after spending six years living in Berlin, this work can be understood as a critical comment about cultural complacency and the lack of originality the artist felt characterised the Australian art world at the time.