Susan Norrie’s installation combines art-historical references to painting, minimalism and the monochrome with a preoccupation with materiality and the evocation of feminine experience. Conceptual art, the physical act of viewing, and perception are primary concerns in Inquisition. The work’s particularly gothic sensibility – through references to the funereal, mourning attire and, more obliquely, feminine containment in the Victorian era – shifts the viewer’s focus from the formal, abstract exercises in texture and form to the more menacing and uncanny character of the objects.