Samantha Hobson, who had been subjected to domestic violence, was encouraged by her mentor Rosella Namok to work in the Lockhart River Art Centre. In this work, she raged against the regular occurrence of drunken violence in the community by attacking a large canvas, using a broom laden with colour, and forged a dramatic expressionist style of expanses of sensuous colour, rendered shiny by layers of varnish. Hobson’s way of painting breaks with classic styles of Indigenous painting that derive from inherited iconography, the lines and dots of Western Desert acrylics and the rarrk (crosshatching) of ochres on bark.