Diena Georgetti exhibited a large number of her blackboard paintings in the 1992 Biennale of Sydney. They are among her earliest works and are rough, raw and apparently spontaneous – evident in the messily scrawled text in chalk on blackboard. Containing foreign-sounding words that are not quite grammatically correct, the compositions are deliberately unintelligible but visually striking. The format not only suggests a teaching environment or class room but also recalls the esoteric blackboard drawings of Joseph Beuys and Rudolph Steiner, which proposed alternative ways of making sense of language and non-language.