Artworks

  • Henri-Edmond CROSS
    French 1856–1910
    The farm, evening 1893
    (La ferme, soir)
    oil on canvas
    65.0 x 92.0 cm
    Private collection, Paris
  • Henri-Edmond CROSS
    French 1856–1910
    Mediterranean shores 1895
    (Bords méditerranéens)
    oil on canvas
    65.0 x 92.0 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
  • Henri-Edmond CROSS
    Promenade (The cypresses) (1897)
    (La Promenade (Les Cyprèes))
    published in L'Album d'Estampes Originales de la Galerie Vollard portfolio 1897
    colour lithograph on chine collé
    28.5 x 41.2 cm (image) 43.0 x 56.8 cm (sheet)
    Compin 337; Johnson 27
    ed. 86/100
    National Gallery of Victoria, Melbourne
    Purchased through The Foundation of Victoria with the assistance of Mr Nigel Morgan, Founder Benefactor, 1996
    1995.779
  • Henri-Edmond CROSS
    French 1856–1910
    The Champs Élysées 1898
    (Aux Champs Élysées)
    plate from Pan, volume 1, printed by Auguste Clot, Paris, published by Genossenschaft Pan,
    Berlin, 1898
    colour lithograph
    20.2 x 26.2 cm (image), 36.6 x 28.2 cm (sheet)
    National Gallery of Australia, Canberra
    Felix Man Collection, Special Government Grant 1972 (72.509.93)
  • Henri-Edmond CROSS
    French 1856–1910
    The breaking sea (1902-05)
    (La mer clapotante)
    oil on canvas
    59.0 x 82.0 cm
    Private collection
  • Henri-Edmond CROSS
    French 1856–1910
    The beetle (1906-07)
    (Le Scarabée)
    oil on canvas
    46.0 x 55.0 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
  • Henri-Edmond CROSS
    French 1856–1910
    Toulon, winter morning (1906-07)
    (Toulon, Matinée d'hiver)
    oil on canvas
    65.0 x 81.0 cm
    Private collection, Paris
  • Henri-Edmond CROSS
    French 1856–1910
    Woman sewing 1907
    (Femme cousant)
    watercolour
    18.0 x 26.0 cm
    Private collection
  • Jules Henri DELAVALLÉE
    French 1862–1943, worked in Turkey 1896–1901
    The well, winter 1887
    (Le puits en hiver)
    oil on canvas
    38.1 x 45.7 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
    © Jules Henri Delavallée/ADAGP. Licensed by VISCOPY, Sydney
  • Albert DUBOIS-PILLET
    French 1846–90
    The banks of the Seine at Neuilly 1886
    (Les Bords de Seine à Neuilly)
    oil on canvas
    59.0 x 81.6 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
  • Albert DUBOIS-PILLET
    French 1846–90
    The towers, Saint-Sulpice 1887
    (Les Tours, Saint-Sulpice)
    oil on canvas
    81.0 x 65.0 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
  • Albert DUBOIS-PILLET
    French 1846–90
    The Pont des Arts and the Île de la Cité from the Quai du Louvre c.1888
    (Le Pont des Arts et I’Île de la Cité vus du quai du Louvre)
    pen and brown ink
    15.2 x 16.5 cm
    Private collection
  • Willy FINCH
    Belgian/English 1854–1930, worked in Finland 1897–1930
    Haystacks 1889
    (Les Meules)
    oil on canvas
    32.5 x 50.0 cm
    Musée d'Ixelles, Brussels
    Gift of Madeleine Maus, 1922 (OM 91)
    © Photo: Mixed Media
  • Louis HAYET
    French 1864–1940
    A poultry seller’s stand 1887
    (L’Etal d’un marchand de volailles)
    encaustic on calico
    19.0 x 22.0 cm
    Private collection
    Photo © Vincent Girier Dufournier
  • Louis HAYET
    French 1864–1940
    La Halle aux blés (Grain market) (1887)
    (La Halle aux blés)
    encaustic on calico
    18.5 x 22.0 cm
    Private collection
    Photo: © Vincent Girier Dufournier
  • Louis HAYET
    French 1864–1940
    In the café (1888)
    (Au café)
    encaustic on calico
    23.0 x 18.5 cm
    Private collection
    Photo: © Vincent Girier Dufournier
  • Achille LAUGÉ
    French 1861–1944
    Portrait of Madame Astre 1892
    (Portrait de Madame Astre)
    oil on canvas
    198.0 x 133.0 cm
    Musée des Beaux-Arts, Carcassonne
    Gift of the artist, 1939 (939.5.685)
    © Achille Laugé/ADAGP. Licensed by VISCOPY, Sydney
  • Achille LAUGÉ
    French 1861–1944
    Vase of flowers (c.1892-95)
    (Vase de fleurs)
    oil on canvas
    60.0 x 40.0 cm
    Galerie Berès, Paris
    © Achille Laugé/ADAGP. Licensed by VISCOPY, Sydney
  • Achille LAUGÉ
    French 1861–1944
    Madame Martimort (c.1893–94)
    oil on canvas
    45.5 x 41.5 cm
    Private collection
    © Achille Laugé/ADAGP. Licensed by VISCOPY, Sydney
  • Achille LAUGÉ
    French 1861–1944
    By the window 1899
    (Devant la fenêtre)
    oil on canvas
    123.0 x 150.0 cm
    Musée de Petit Palais, Geneva
    Ghez collection (12856)
    © Achille Laugé/ADAGP. Licensed by VISCOPY, Sydney
  • Georges LEMMEN
    Belgian 1865–1916
    Julie Lemmen sewing and crocheting (1890-91)
    (Julie Lemmen cousant et faisant du crochet)
    oil and gouache on paper on canvas
    26.0 x 33.2 cm
    Private collection, Belgium
    Photo: Luc Schrobiltgen
  • Georges LEMMEN
    Belgian 1865–1916
    Heyst no. 13 1891
    oil on wood panel
    12.4 x 21.6 cm
    Galerie Berès, Paris
  • Georges LEMMEN
    Belgian 1865–1916
    High tide, Heyst no. 3 1891
    (Marée Haute, Heyst no. 3)
    oil on wood panel
    12.5 x 21.7 cm
    Galerie Berès, Paris
  • Maximilien LUCE
    French 1858–1941
    The Louvre and the Pont du Carrousel, night effect 1890
    (Le Louvre et le Pont du Carrousel, effet de nuit) 1890
    oil on canvas
    63.5 x 81.0 cm
    Collection of Lenora and Walter F Brown, San Antonio, Texas
    Photo: Steven Tucker
  • Maximilien LUCE
    French 1858–1941
    Coffee 1892
    (Le Café)
    oil on canvas
    81.0 x 65.2 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    Saint-Tropez, the cemetery road 1892
    (Saint-Tropez, la route du cimetière)
    oil on canvas
    54.0 x 65.0 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    View of London (Cannon Street) (1893)
    (Vue de Londres (Cannon Street))
    oil on canvas
    65.0 x 81.0 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    The port of Saint-Tropez 1893
    (Le Port de Saint-Tropez)
    oil on canvas
    73.7 x 91.4 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    Quai de l’École, Paris, evening 1889
    (Quai de l’École, Paris le soir)
    oil on canvas
    50.9 x 70.0 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    Portrait of Georges Seurat (c.1890)
    (Portrait de Georges Seurat)
    conté crayon
    29.6 x 22.5 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    The neighbourhood of Vernon (1897)
    (Environs de Vernon)
    colour lithograph
    21.8 x 35.2 cm (image), 50.6 x 65.6 cm (sheet)
    National Gallery of Australia, Canberra
    Purchased 1989 (89.788)
  • Maximilien LUCE
    French 1858–1941
    Gisors Cathedral 1898
    (La Cathédrale de Gisors)
    oil on canvas
    92.0 x 73.0 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    Charleroi factories or blast-furnaces (1898)
    (Usines de Charleroi or Hochofen)
    plate from Pan, volume 4, printed by Auguste Clot, Paris, published by Genossenschaft Pan,
    Berlin, 1898
    colour lithograph
    26.0 x 20.2 cm (image), 36.6 x 28.2 cm (sheet)
    National Gallery of Australia, Canberra
    Felix Man Collection, Special Government Grant 1972 (72.509.259)
  • Maximilien LUCE
    French 1858–1941
    The Quai de Montebello and Sainte-Geneviève Hill 1901
    (Le Quai de Montebello et la colline Sainte-Geneviève)
    oil on canvas
    66.0 x 80.7 cm
    Private collection
  • Maximilien LUCE
    French 1858–1941
    St Gervais Church, view of the Seine 1901
    (L'Eglise de St Gervais, vue de Seine)
    oil on canvas
    66.0 x 80.7 cm
    Private collection
  • George MORREN
    Belgian 1868–1941
    Laundry day (The washerwomen’s field) 1890
    (Jour de lessive (Le pré des lavandières))
    pastel
    41.0 x 53.5 cm
    Private collection, Belgium
    Photo: Luc Schrobiltgen
  • George MORREN
    Belgian 1868–1941
    Dusk 1891
    (Le déclin du jour)
    oil on canvas
    55.0 x 67.0 cm
    Private collection, Belgium
    Photo: Luc Schrobiltgen
  • George MORREN
    Belgian 1868–1941
    On the docks (Port of Antwerp) 1891
    (Aux bassins (Port d’Anvers))
    conté crayon
    31.0 x 45.5 cm
    Private collection, Belgium
    Photo: Luc Schrobiltgen
  • Hippolyte PETITJEAN
    French 1854–1929
    Stone Pine (Umbrella Pine). Sainte Maxime (c.1892-95)
    (Les Pins parasols. Sainte Maxime)
    watercolour
    39.5 x 54.0 cm
    Private collection
  • Camille PISSARRO
    Danish/French 1830–1903
    Delafolie Brickworks at Éragny 1886
    (Briqueterie Delafolie à Éragny)
    oil on canvas
    57.8 x 71.8 cm
    Private collection
  • Camille PISSARRO
    Danish/French 1830–1903
    Peasant’s houses, Éragny 1887
    (Maisons de paysans, Éragny La Chaumière)
    oil on canvas
    59.0 x 71.7 cm
    Art Gallery of New South Wales, Sydney
    Purchased 1935 (6326)
    Photo: Jenni Carter
  • Camille PISSARRO
    Danish/French 1830–1903
    Flock of sheep, Éragny sur Épte 1888
    (Troupeau de moutons, Éragny sur Épte)
    oil on canvas
    46.2 x 55.2 cm
    Private collection
  • Camille PISSARRO
    Danish/French 1830–1903
    Charing Cross Bridge, London 1890
    (Pont du Charing Cross, Londres)
    oil on canvas
    60.0 x 90.0 cm
    National Gallery of Art, Washington
    Collection of Mr and Mrs Paul Mellon 1985 (1985.64.32)
  • Georges SEURAT
    French 1859–91
    Study for The Bec du Hoc, Grandcamp 1885
    (Étude pour Le Bec du Hoc. Grandcamp)
    oil on wood panel
    15.6 x 24.5 cm
    National Gallery of Australia, Canberra
    Purchased from proceeds of The Great Impressionists exhibition 1984 (84.1933)
  • Georges SEURAT
    French 1859–91
    The Bec du Hoc, Grandcamp 1885
    (Le Bec du Hoc, Grandcamp)
    oil on canvas
    64.8 x 81.6 cm
    Tate, London
    Purchased 1952 (N06067)
    © Tate, London 2012
  • Georges SEURAT
    French 1859–91
    The Seine at Courbevoie 1885
    (La Seine à Courbevoie)
    oil on canvas
    81.4 x 65.2 cm
    Private collection, Paris
  • Georges SEURAT
    French 1859–91
    Port-en-Bessin, the outer harbour, high tide 1888
    (Port-en-Bessin, avant-port, marée haute)
    oil on canvas
    67.0 x 82.0 cm
    Musée d'Orsay, Paris
    Purchased with funds from an anonymous Canadian donor, 1952 (RF 1952-1)
    © RMN (Musée d'Orsay) / Hervé Lewandowski
  • Georges SEURAT
    French 1859–91
    Beach at Gravelines 1890
    (La Plage à Gravelines)
    oil on wood panel
    16.0 x 24.5 cm
    The Courtauld Gallery, London
    Bequest of Samuel Courtauld, 1948 (P.1948.SC.397)
  • Paul SIGNAC
    Gasometers at Clichy 1886
    (Les Gazomètres. Clichy)
    oil on canvas
    65.0 x 81.0 cm
    National Gallery of Victoria, Melbourne
    Felton Bequest, 1948
    1817-4
  • Paul SIGNAC
    French 1863–1935
    Study for The dining room (1886-87)
    (Étude pour La Salle à manger)
    oil on canvas
    14.5 x 25.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    The front of The Tub, Opus 176 1888
    (Avant du Tub, Opus 176)
    oil on canvas
    45.0 x 65.0 cm
    Private collection
  • Paul SIGNAC
    Application of Mr Charles Henry’s Chromatic Circle 1888
    (Application du Cercle Chromatique de Mr. Ch. Henry)
    colour lithograph
    15.5 x 17.9 cm (image) 16.2 x 18.5 cm (sheet)
    Kornfeld & Wick 4
    National Gallery of Victoria, Melbourne
    Purchased, 1986
    P64-1986
  • Paul SIGNAC
    French 1863–1935
    Parisian Sunday 1888
    (Le dimanche parisien)
    lithograph
    17.4 x 12.0 cm (image), 17.4 x 12.6 cm irreg. (sheet)
    National Gallery of Australia, Canberra
    Gift of Orde Poynton Esq. CMG, 1997 (97.1207)
  • Paul SIGNAC
    French 1863–1935
    Luce reading The Revolt 1890
    (Luce lisant La Révolte)
    pen and ink, ink wash and watercolour over pencil, final version
    26.8 x 20.3 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Saint-Tropez II 1894
    colour lithograph
    27.4 x 36.8 cm (image), 43.4 x 60.7 cm (sheet)
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Saint-Tropez. A yacht in the port 1894
    (Saint-Tropez. Voilier au port)
    watercolour and ink
    15.0 x 19.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    At Flushing (Vlissingen) 1895
    (Á Flessingue)
    colour lithograph
    23.6 x 41.4 cm (image), 40.8 x 53.0 cm (sheet)
    National Gallery of Australia, Canberra
    Gift of Orde Poynton Esq. CMG, 1997 (97.47)
  • Paul SIGNAC
    French 1863–1935
    Boats at Flushing (Vlissingen) 1895
    (Bateaux a Flessingue)
    colour lithograph
    32.3 x 40.2 cm (image), 40.4 x 52.4 cm (sheet)
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Saint-Tropez. Fontaine des Lices 1895
    oil on canvas
    65.0 x 81.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Saint-Tropez. After the storm 1895
    (Saint-Tropez. Après l’orage)
    oil on canvas
    65.0 x 81.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Les Andelys 1897
    colour lithograph, with corrections
    30.3 x 45.3 cm (image), 40.5 x 53.5 cm (sheet)
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Port of Saint-Tropez (1897-98)
    (Port de Saint-Tropez)
    colour lithograph
    43.5 x 33.0 cm (image), 52.0 x 39.9 cm (sheet)
    National Gallery of Australia, Canberra
    Purchased, 1980 (80.2827)
  • Paul SIGNAC
    Saint-Tropez: The port (1897-1898)
    (Saint-Tropez: Le Port)
    colour lithograph, touched with charcoal, red and blue chalk and pencil
    44.2 x 32.9 cm (image) 60.2 x 44.8 cm (sheet)
    Kornfeld & Wick 19a; Johnson 138
    trial proof with corrections
    National Gallery of Victoria, Melbourne
    Purchased, 1956
    3387-4
  • Paul SIGNAC
    French 1863–1935
    Samois 1900
    watercolour
    16.8 x 25.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    The Seine at Asnières 1900
    (La Seine à Asnières)
    watercolour and ink
    17.3 x 24.7 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Rainbow (Venice) 1905
    (L’Arc-en-ciel (Venise))
    oil on canvas
    73.0 x 92.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    La Place des Lices at Saint-Tropez 1905
    (La Place des Lices à Saint-Tropez)
    watercolour and ink
    26.5 x 40.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Avignon. Morning 1909
    (Avignon. Matin)
    oil on canvas
    73.5 x 92.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Avignon. Morning 1909
    (Avignon. Matin)
    watercolour and ink
    21.0 x 26.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Avignon. Evening 1909
    (Avignon. Soir)
    watercolour and ink
    21.0 x 26.0 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Juan-les-Pins. Evening (1914)
    (Juan-les-Pins. Soir)
    ink wash
    72.3 x 90.1 cm
    Private collection
  • Paul SIGNAC
    French 1863–1935
    Juan-les-Pins. Evening (first version) 1914
    (Juan-les-Pins. Soir (première version))
    oil on canvas
    73.0 x 92.0 cm
    Private collection
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Portrait of Alice Sèthe 1888
    (Portrait d'Alice Sèthe)
    oil on canvas
    194.0 x 96.5 cm
    Musée Départemental Maurice Denis – Le Prieuré, Saint-Germain-en-Laye
    Purchased 1978
    © Studio Lourmel, Photo Routhier
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Émile Verhaeren in his study (Rue du Moulin) (1892)
    (Émile Verhaeren dans son cabinet de travail (rue du Moulin))
    oil on canvas
    86.0 x 75.6 cm
    Royal Collection, Belgium
    Loaned to the Archives et Musée de la Littérature, Brussels
    Photo: Vincent Everarts Photographie
    The reproduction of this artistic work is for personal, non-commercial use only and is protected by copyright and other intellectual property rights.
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Calf Mill in Knokke (Windmill in Flanders) (1894)
    (Le Moulin du Kalf à Knokke (Moulin en Flandre))
    oil on canvas
    80.0 x 68.5 cm
    Private collection
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Canal in Flanders, gloomy weather (1894)
    (Le Canal en Flandre par temps triste)
    oil on canvas
    60.0 x 80.0 cm
    Private collection
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Girl in a straw hat (Portrait of Élisabeth Van Rysselberghe) 1901
    (Jeune fille au chapeau de paille (Portrait d'Élisabeth Van Rysselberghe))
    oil on canvas
    81.0 x 70.0 cm
    Private collection
  • Théo VAN RYSSELBERGHE
    Belgian 1862–1926, worked in France 1897–1926
    Tea in the garden (1903)
    (Le thé au jardin)
    oil on canvas
    98.0 x 130.0 cm
    Musée d'Ixelles, Brussels
    Gift of Madeleine Maus, 1922 (OM 184)
    © Photo Mixed Media

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