Notes and acknowledgements
Notes
https://www.adelaide.edu.au/library/special/exhibitions/history-of-book-illustration/aquatints/, accessed 19 May 2021.
Faithorne, William (1702) The Art of Graving and Etching…, second edition, Roper, Fleet street, London, https://quod.lib.umich.edu/e/eebo/A40780.0001.001?view=toc, accessed 20 May, 2021.
https://www.geriwalton.com/hair-powder-history-of-its-popularity-and-unpopularity/#_ftn10, accessed 25 May 2021.
Green, J. H. (1810), The Complete Aquatinter, https://archive.org/details/completeaquatint00gree/page/n5/mode/2up?ref=ol&view=theater, accessed 20 May, 2021.
Griffiths, Antony (1987) ‘Notes on Early Aquatint in England and France’, in Print Quarterly, Vol. 4, No. 3 (September), pp. 255-270, https://www.jstor.org/stable/41823775?seq=4#metadata_info_tab_contents, accessed 11 June 2021.
Hamerton, P.G. (1871) The Etcher’s Handbook, Charles Robeson & Co., Long Acre, London.
Harris, Tomas (1964) Goya, Engravings and Lithographs, Vol. I & II. Bruno Cassirer Oxford, Faber and Faber, London.
Heckes, Frank I. (1998) Reason and Folly The Prints of Francisco Goya, National Gallery of Victoria.
Hind, Arthur M. (1963) A History of Engraving and Etching, Dover Publications, inc., New York.
King, Martin, interview, 3 May 2021.
Le Prince, Jean-Baptiste (1780) Découverte du procédé de graver au lavis, Paris.
Matilla, José Manuel and Marqués, Manuela B. Mena (2019) Goya: drawings: only my strength of will remains, Madrid, Museo Nacional del Prado.
McDonald, Mark (2021) Goya’s Graphic Imagination, The Metropolitan Museum of Art, Yale University Press.
https://www.museodelprado.es/en/the-collection/art-work/the-sleep-of-reason-produces-monsters/e4845219-9365-4b36-8c89-3146dc34f280, accessed 4 June 2021.
https://www.ngv.vic.gov.au/explore/collection/conservation/watermarks/, accessed 9 June 2021.
https://www.npg.org.uk/research/programmes/directory-of-suppliers/p#PO, accessed 19 May 2021.
Sayre, Eleanor A. (1974) The Changing Image: Prints by Francisco Goya, Museum of Fine Arts Boston.
Stapart, M. (1773) L’Art de graver au pinceau, Paris.
Stepanek, Stephanie Loeb (et.al) (2014) Goya: Order & Disorder, MFA Publications, Museum of Fine Arts, Boston.
Valls i Subirà, Oriol. (1970) Paper and watermarks in Catalonia, Amsterdam: Paper Publications Society (Labarre Foundation).
Wilson-Bareau, Juliet (1981) Goya’s prints, British Museum Publications Ltd.
Acknowledgements
We are deeply indebted to Martin King and Elisabetta Polidori for generously sharing their insights into Goya’s printmaking techniques and José Carlos Balmaceda and Peter Bower for assisting us with our research into Spanish paper.